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Retrieved February 20, 2020. ^ "By the Grace of the Gods, Volume 1".
Square Enix Manga and Books. Square Enix. Retrieved February 20, 2020. ^ "神達に拾われた男 2". HJ Novels (in Japanese). Hobby Japan. Retrieved October 13, 2021. ^ "By the Grace of the Gods: Volume 2". Rakuten Kobo.
Ohba commented that "reading too much exposition" would be
tiring and would negatively affect the atmosphere and "air of suspense". The illustrator had significant artistic licence to interpret basic descriptions, such as "abandoned building",[9] as well as the design of the Death Notes themselves. When Ohba was deciding on the plot, they visualized the panels while relaxing on their bed, drinking tea, or walking around their house. Often the original draft was too long and needed to be refined to finalize the desired "tempo" and "flow". The writer remarked on their preference for reading the previous "two or four" chapters carefully to ensure consistency in the story. [6] The typical weekly production schedule consisted of five days of creating and thinking and one day using a pencil to insert dialogue into rough drafts; after this point, the writer faxed any initial drafts to the editor. The illustrator's weekly production schedule involved one day with the thumbnails, layout, and pencils and one day with additional penciling and inking. Obata's assistants usually worked for four days and Obata spent one day to finish the artwork. Obata
said that when he took a few extra days to color the pages, this "messed with the schedule". In contrast, the writer took three or four days to create a chapter on some occasions, while on others they took a month. Obata said that his schedule remained consistent except when he had to create color pages.
Shueisha (11). ↑ Togashi, Yoshihiro (October 24, 2000). 9月3日(17) [September 3rd: Part 17]. Weekly Shōnen Jump.
Hunter × Hunter (in Japanese). Shueisha (47). ↑ Togashi, Yoshihiro (July 31, 2001). 9月10日(3), [September 10th: Part 3]. Weekly Shōnen Jump. Hunter × Hunter (in Japanese). Shueisha (35).
