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Nagatoro teases that he is just trying to get her alone despite being too cowardly to try for a kiss. Senpai responds that she is also too cowardly to try, causing an awkward moment. They suddenly realize the secluded spot is a make-out spot, and they are surrounded by kissing couples, so they flee. Senpai suggests they visit next year's festival together, pleasing her. After returning to school, Senpai sees a boy in Nagatoro's group keep putting his arm around her, so he finds the courage to ask Nagatoro to leave with him, which she happily does, as do the girls, leaving the confused boys behind. Senpai meets another of Nagatoro's friends, Sakura, one of the girls who first bullied him for drawing manga in the library. 88"That Might Actually Be Fun, Senpai♥"
Transliteration: "Igai to Tanoshii ka mo Shirenaissu ne, Moto Senpai♡" (Japanese: 意外と楽しいかもしれないっスね、元センパイ♡)Hitomi EzoeTaku KishimotoMay 30, 2021 (2021-05-30)"Let's Play Rock-Paper-Scissors, Senpai!!"
Transliteration: "Janken Shimashō, Senpai!!" (Japanese: じゃんけんしましょう、センパイ!!) As Senpai has weak muscles, Nagatoro forces him to exercise by supporting her on his back, but her butt is too stimulating, and Senpai collapses. Senpai becomes obsessed with a new game and forgets to study. Nagatoro warns him if he has to repeat the year, he will end up in the same class as her. Senpai thoughtlessly blurts out that sounds fun, embarrassing them both, so he studies religiously and passes his exams, where Nagatoro teases him about deliberately avoiding being in her class. Nagatoro overhears Senpai with Gamo, Yosshii, and Sakura sounding suspicious and bursts in on them, only to find them trying to extract a splinter from Senpai's thumb, so Nagatoro jealously extracts the splinter herself.

And now this same kind of forcefulness is being carried over to Re:Zero.
And 17-minutes into episode 11, Suburu states, "You know, Rem, you keep putting Ram on a pedestal and undermining yourself—," while the camera unapologetically focuses on blue and pink flowers, both literally sitting in a vase (pedestal) of equal height. These are the kinds of things that Re:Zero does repeatedly that demonstrate its lack of restraint. Constantly drawing attention to your symbolism only defeats the purpose of it, to begin with. Symbolism and motifs alike are supposed to be discovered, not spoon-fed. And this is the problem with this show: it can't simply let things be without intervening with forceful resolve.
And then you have ideas that are used only to add detail to the universe or serve as a new plot reveal to keep the story exciting, but that are never properly thought out.
Like the battle against Moby Dick, a beast with the ability to erase the memory of people's existence consumed by its fog. We get an example of this when Rem sacrifices herself to save Suburu and is immediately forgotten by everyone who knows her. But yet, when this incident occurs again during the heat of battle against a battalion in episode 20, the powers don't work the same way. Where in the case of Rem her very presence and existence was erased, in this battle, soldiers only forgot the names of the soldiers lost in the mist but are still aware of the fact that people are missing.

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But this is something I really liked about it. The show doesn't spoon-feed you, and it rewards you for paying attention and treating its characters like people. It’s not “high-IQ. ” It’s just dense visual storytelling. Very few times in my life have I had the privilege to witness a series which pushes all my buttons so well and in so many ways, and even if you don’t share my exact aesthetic preferences, I promise you'll agree when I say Sonny Boy is an audiovisual masterclass.
What depth it lacks in the theme department, it more than makes up for in the character department, and not simply because they brought Hisashi Eguchi back from the grave. Natsume stated in an interview, “Sonny Boy is a simple story about a boy growing up and people drifting apart,” and the only reason he imagined it with such an abstract presentation was simply because “life can be absurd and inexplainable sometimes, and you find yourself asking ‘Why?’ a lot. ” To me, this is very obvious. The tangible plot of Sonny Boy is a straightforward mystery box which just so happens to have a great deal of surreal elements, but this simplicity is a good thing, because with all the symbolism and character details you already have to keep track of, any narrative structure more complex than this would’ve been way too overbearing and—now that I mention it—probably would’ve made the series as confusing as everyone already says it is. What makes the cast so good is a combination of the expressive character animation I mentioned earlier and the fact Natsume personally wrote the script for every episode, making every character feel consistent. I was actually worried about him writing, because while Natsume is a fantastic director, I wasn’t sure how confident I was in his ability to direct AND write his own original project. Kimura. Disc sales of the series did not perform well. [17] In September 2020, Discotek Media announced that they have licensed the series for a 2021 release, including the 76 episodes, Champion Road and, for the first time in North America, the OVA Mashiba vs. Kimura. [18] The first Blu-ray Disc set (episodes 1–24) was released on January 26, 2021. [19] The second set (episodes 25–48) was released on March 30, 2021.