made in abyss film resume 86 eighty six season 3 จะ มี ไหม
Stone with the initial idea of creating a protagonist that was considered a relatively normal character unlike many others within the genre. He decided that his best approach with creating Senku was to create a character that was ambitious and chose to actively push themselves through hard work in order to fulfill their goals. [3][4] He also wanted to create a character that closely resembled the character Agon Kongo from his own manga serialization Eyeshield 21 in terms of personality and characteristics and felt that it was appropriate for the chosen setting. [5] Inagaki was personally fascinated by the topic of science as a child and sought to create a science-based story for entertainment purposes that also featured common themes and messages that would be compelling for the audience. [3] In regards to influences, Inagaki stated that Video Girl Ai was a series that had a significant impact on the story's development. [3] Inagaki works remotely with his illustrator Boichi in which the former sends his own created storyboards to the latter through his own editor. [4] By the time the pair began working on the series, Inagaki was already quite familiar with Boichi's work as an artist and initially struggled with expressing his ideas for his collaborator to illustrate, often times being uncertain about how to draw some of Senku's inventions and how to make them feel impressive. [6] While developing the setting for the series, Boichi grew captivated imagining how to create the look of a futuristic Japan set 3700 years after humanity had turned to stone. He settled upon the idea of creating a vast beautiful world in which Japan's nature was left untarnished due to the loss of humanity's influence. [6] When asked about scientific accuracies, Inagaki revealed that both himself and Boichi have conducted research into the subject during the development of the series while also receiving help from a consultant. [6] Adaptation[edit] Director Shinya Iino expressed that one of the challenges with adapting the series into animation was determining how the backgrounds would appear in a different medium.
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