i love you in spanish google translate
For the Frog the Bell Tolls draws heavy inspiration from European fairy tales. F-Zero takes
place in a comic book future, with Captain Falcon himself being a homage. Kid Icarus (1986) game was very
cartoony with weird proportions and wacky characters, and the same applied to its Game Boy follow up Of Myths and Monsters, all while following Greek Mythology to the letter. This then changed in Uprising, while mostly sticking to its Greek Mythology roots, the artstyle, presentation, and character design went full-blown
anime. Kirby stars a round pink creature with large red feet, and the scenery and characters are clearly reminiscent of cartoons such as The Smurfs. Even the main antagonist is a fat penguin in a Santa Claus-like outfit, and enemies include orange creatures wearing chef hats and wielding frying pans and large beetle-like insects with gloves and sneakers. Played straight with the anime Kirby: Right Back at Ya!, which definitely looks like an anime. The Legend of Zelda takes cues from many western fantasy novels and movies; with key influences being Greek mythology, the legend of King Arthur and The Lord of the Rings trilogy. However, Japanese influence became more apparent in games following The Wind Waker. They still hold many western influences and Twilight Princess was specifically based on Wild West stories. Breath of the Wild firmly returns the series to its Western influence via its focus on exploring a land akin to European and Near East fantasy, with notable exceptions such as the Yiga Clan and Sheikah taking Asian influences, with the Sheikah warrior Impa in the prequel, Hyrule Warriors: Age of Calamity, fighting with a Hand Seal usage and Ninja Run that has gotten compared to Naruto.
[7] Clamp signed onto the project early during these development stages and provided numerous ideas, which helped develop the series' setting and characters. [7] While developing the character designs for Lelouch, the protagonist of the series, Clamp had originally conceived of his hair color as being white. [7] Ageha Ohkawa, head writer at Clamp, said she had visualized him as being a character to which "everyone" could relate to as being "cool", literally, a "beauty". [7] During these planning stages, Clamp and the Sunrise staff had discussed a number of possible inspirations for the characters, including KinKi Kids and Tackey & Tsubasa. [7] They had wanted to create a "hit show," a series which would appeal to "everyone. "[7] Lelouch's alter ego, Zero, was one of the earliest developed characters, with Ōkouchi having wanted a mask to be included as a part of the series, feeling it was necessary for it to be a Sunrise show, and Clamp wanting a unique design never prior seen in any Sunrise series (said mask was nicknamed "tulip" for its distinctive design). [7] The
concept for the Geass may have been inspired by the Irish and Welsh legends of "Geas" or "Geis". A geas is a compulsion laid on someone to do or not do something. While the geas itself does not lie on any spectrum, the benefits or actions of it may be decidedly benevolent or malevolent. The concept fits in into the wider fictional world and its lore of British inspirations. Clamp's finalized original character design art, illustrated by its lead artist Mokona, was subsequently converted into animation character designs for the series by Sunrise's character designer Takahiro Kimura, who had previously spent "every day" analyzing Clamp's art and style from their artbooks and
manga series.
1997.
Anime News Network.
Archived from the original on October 23, 2012. Retrieved October 19, 2012. ^ "All-Star Creators Mark JoJo's Bizarre Adventure's 25th Year". Anime News Network.
