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The soundtrack sounds as if it came
straight out of a game, and really has an adventurous beat to it. Thank you, Kevin Penkin. However, if I were to compare the soundtrack to the sound effects, the sound effects are some of the best sounds I have heard out of anime, especially when Reg shoots his arms or laser. What I can describe those sound effect as, is organic. With the voice actors, the kids sound like kids, and the old adults sound like old adults. But, when the intensity rises, comedically and dramatically, or narration within the anime, say, the fight scenes and Maaya Sakamoto (Her narration is wonderful to hear), the voice acting is great. It rounds about the sense of adventure, just like everything else the anime provides. With the voice acting, one can tell that there is passion going on behind the scenes.
One more thing to talk about that the anime provides is the animation.
I have not seen many anime with such fluid flowing animation besides those of Ghibli films. Speaking of which, the background animator of Made in Abyss comes from the Ghibli films! Will that motivate you to
watch and finish Made in Abyss? .
In summary, she notes "Bleach the anime deserves its popularity. It has something for everyone: the supernatural, comedy, action and a little bit of romance, all tied together with excellent animation and a very enthusiastic sounding bunch of voice actors. "[99] Adam Arseneau of DVD Verdict,
felt Bleach was a "show that only gets better with age" and was "surprisingly well-rounded and appealing" with well-developed characters and pacing. [100] Active Anime's Holly Ellingwood praising the anime for perfectly capturing "the excitement, the caustic humour and supernatural intrigue" of the original manga. [101] She felt that the series "does a wonderful job of building on its continuity to provide increasingly tense and layered episodes involving not only Ichigo and Rukia, but the secondary characters as well". [102] She also praised the series for its striking visual effects,
intriguing plot and its "brilliant blend of action, off the wall comedy.
For some people, this works, and throwing a character through a hurricane of
awfulness is enough to instil sympathy. That's great, and I don't hold any ill will against these people. If anything, I am envious of how easily they can feel emotion. What
actually bothers me is how effortless this method of storytelling truly is, and the audacity Re:Zero has to pretend it is something profound and on-par with film, as it did in the credits of the fifteenth episode. Re:Zero is visceral and sensually striking, and yet ever so empty.
"Empty" can easily be used to describe the characters as well. Emilia, for example, exists as little more than a personification of the average anime fan's ideal woman, similar in many ways to Asuna from Sword Art Online, and lacking in any meaningful characterisation besides her occasionally getting upset at Subaru. It's even more baffling that Subaru chooses her in the world of romance when she has done very little to win over his affection or help him, aside from giving him a place to stay for a couple days. She may as well not even exist-- the only reason she even does is to create more senseless tragedy for Subaru.
Rem and Ram are much better characters, as they actually have legitimate characterisation, backstory and development over the course of the story. The issue with them, particularly Rem, is that this development occurs so suddenly that it feels more like a complete change in character than an extension of who they really are.