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NEO Magazine. No. 35. p. 19. ^ Jie, Xiao (May 15, 2007).

)[31] United States 1989 — $2,200,000[36] 542,097[37] 2001 — $114,009[38] 20,143 (est. )[39] United Kingdom 1991 — £878,695[36] ($1,550,000) 382,041[37] 2011 — $18,813[40] 3,419[41] 2015–2018 — Un­known 15,108[41] 2020 — £224,884[36] ($325,657)[42] 31,629 (est. )[43] France 1991–2020 — Un­known 167,372[44] Spain 1992–2013 — Un­known 134,324[45][41] 2016–2018 — Un­known 2,018[41] 1992–2018 — Un­known 136,342 Finland 2020 — Un­known 6,262[46] Other European countries 1999–2013 — Un­known 25,047[41] 2014–2018 — Un­known 10,590[41] 1999–2018 — Un­known 35,622[41] Quebec (Canada) 2001–2002 — Un­known 532[41] Taiwan 2006–2008 — US$230,000[47] 40,000[47] South Korea 2017 — ₩86,224,200[48] 10,574[48] New Zealand 2017 — US$36,342[49] Un­known Hong Kong 2020 — US$148,415[50] Un­known Australia 2020 — US$183,882[42] Un­known Worldwide 1988–2020 $49,000,000[3] 3,569,771+ (est. ) Akira was released by Toho on July 16, 1988. At the Japanese box office, it was the sixth highest-grossing Japanese film of the year, earning a distribution income (distributor rentals) of ¥750 million in 1988. [30] This made it a moderate success at the Japanese box office. [51] By 2000, the film had earned a Japanese distribution rental income of ¥800 million. [32] The film's 4K remaster received a limited Japanese IMAX re-release in May 2020. [52] English releases[edit] Electric Media produced an English dub of the film in 1989 that was written by L. Michael Haller and directed by Sheldon Renan and Wally Burr. [53][54][55][56] The English version saw limited release by Streamline Pictures in North American theaters on December 25, 1989, and grossed about $2.

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He also said: "In reality, sometimes it doesn't work out that way, due to different aspects of business and things. But in reality, the schedule did line up so that we worked on the second season right after the first season ended, so I have been working on it somewhat continuously, even if the delivery of the product comes in batches. "[19] Themes and analysis Horikoshi has stated that the main theme he focuses on is "what makes a hero". [20] He also stated that he likes stories with bad endings, as well as horror stories. However, he finds these difficult to draw since his mood when he draws is the same in the story. In order to combat this, he puts in more silly-looking characters like Fat Gum, in order to keep the mood up. [20] The series explores themes such as the nature of heroism, the importance of perseverance and determination, and the power of friendship and teamwork. Horikoshi said that he was inspired by the idea of creating a world where anyone, regardless of their background or abilities, could become a hero. He wanted to show that even those without powers could still make a difference and achieve their dreams through hard work and determination. [21] That vision results in heroes in the series not being egotistical, but passionate and dedicated individuals with clear goals to work towards. [22] The series also explores on Izuku, who idolized heroes from a young age, and his enthusiasm. Ippo recovered first and landed a right straight. Ippo then dodged a right Smash and landed another liver blow on Sendō. Sendō attempted to block a follow-up punch, however it was Ippo's Sakki. Ippo then landed a Gazelle Punch, breaking Sendō's guard. Ippo then launched a Dempsey Roll, hitting Sendō until he went down. Ippo witnessed as Sendō got up on the count of six, looking at him until Sendō fell over on the referee's shoulder at the count of ten, resulting in Sendō losing his title and Ippo becoming the JBC featherweight champion.