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Akira's central image of characters aimlessly roaming the streets on motorbikes is seen to represent the futility of the quest for self-knowledge. The work also focuses on loss, with all characters in some form orphaned and having no sense of history. The landscapes depicted are ruinous, with old Tokyo represented only by a dark crater. The nihilistic nature of the work is felt by Napier to tie into a wider theme of pessimism present in Japanese fantasy literature of the 1980s. [22] According to Dolores P. Martinez, the serial nature of the work influenced the storyline structure, allowing for numerous sub-plots, a large cast, and an extended middle sequence. This allowed for a focus on destructive imagery and afforded Otomo the chance to portray a strong sense of movement. [8] The work has no consistent main character, but Kaneda and Tetsuo are featured the most prominently throughout. [8] Publication[edit] Written and illustrated by Katsuhiro Otomo, Akira was serialized biweekly in Kodansha's Young Magazine from December 20, 1982, to June 25, 1990. [17] While drawing the manga, Otomo began work on an anime film adaptation, leading to a lengthy break between chapters 87 on April 20, 1987, and 88 on November 21, 1988. [17] Otomo agreed to a film adaptation of the work, provided he retained creative control.
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