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Sailor Moon has since become one of the most famous anime properties in the world. [69][70] Due to its resurgence of popularity in Japan, the series was rebroadcast on September 1, 2009. The series also began rebroadcasting in Italy in Autumn 2011, receiving permission from Naoko Takeuchi, who released new artwork to promote its return. [24] Critics have commended the anime series for its portrayal of strong friendships[75] as well as for its large cast of "strikingly different" characters who have different dimensions and aspects to them as the story continues[76] and for an ability to appeal to a wide audience. [77] Writer Nicolas Penedo attributes the success of Sailor Moon to its fusion of the shōjo manga genre of magical girls with the Saint Seiya fighting teams. [68] According to Martha Cornog and Timothy Perper, Sailor Moon became popular because of its "strongly-plotted action with fight scenes, rescues" and its "emphasis on feelings and relationships", including some "sexy romance" between Usagi and Mamoru. [78] Usagi and Mamoru's romance has been seen as an archetype where the lovers "become more than the sum of their parts", promising to be together forever. [79] In contrast, others see Sailor Moon as campy[80] and melodramatic. Criticism has singled out its use of formulaic plots, monsters of the day[81] and stock footage. [82] Screen Rant called the anime "partly revolutionary for how it depicted its heroines" as it featured women who were "distinct because of their personalities,"[83] while AfterEllen said that the anime "features the best-known yuri relationship in history" between Sailor Uranus and Sailor Neptune. [84] Yuricon said that the relationship could be described as butch-femme [85] and CBR called their relationship one of the most beloved, and complex, in the series.

SNK Japan had started to release home versions of English games to Europe before sending them to the US and didn't give us any input into how a particular game would be localized for the North American market. By the time that Samurai Shodown had reached our warehouse, gray-market versions from Europe had already penetrated the US region, so the company was already in a hurry to just release the game already. Personally, I loved this game from the start. When I received Samurai Shodown and found out it had been censored, I was disappointed. I remember approaching Marty Kitazawa, the president of SNK America, about this fiasco to try to find out what happened and what they were thinking. The only thing he told me was, "Yes, the home version is censored.

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Chapters. length-1]. Type != '' ? vm. Chapters[vm. Chapters. length-1]. Type != '' ? vm. Chapters[vm. Chapters. length-1]. Type : 'Chapter' vm. [126] Lee wrote: "Chainsaw Man is gory. Extremely gory," adding that these scenes make the series different from other shōnen series, calling them "pretty gross," but "fitting for a dark manga about slashing devils down with a chainsaw. "[123] Dacey called the series a "blood-and-testosterone-soaked battle manga," commenting that its main appeal is the "outrageous displays of gore and violence," adding as well that Fujimoto "does his utmost to push the boundaries of good taste. "[127] Beckett wrote that the "delightfully ridiculous and bloody" premise runs with it in "all sorts of fascinating directions," adding however, that its reveling in crude humor and violence could be off-putting to some readers. [120] Regarding the characters, Adi Tantimedh of Bleeding Cool called them "sad, broken people who live outside the norms of society and haven't learned basic social skills," adding as well that the series' subtext is about "people getting abused, degraded, dehumanized, objectified, literally becoming objects. " He concluded: "Society is to blame for degrading people into tools and objects; these mangas [sic] seem to be saying, though they never outright blame Capitalism or the alienating repressiveness of Japanese society. The result is one of the more unique manga out there. "[129] Collins commented that the series has a premise "loosely" comparable to Jujutsu Kaisen, adding, however, that Denji might fit the mold of a shōnen protagonist on paper, but that the mold is "only there to be broken," comparing his "life on the fringes of society" to a "Dickensian parable about the plight of the working class. "[122] Dacey called Denji "a more honest shōnen hero than the typical Jump lead; he thinks and acts like a real teenage boy, right down to his self-absorption and total objectification of women," adding that she could not say she "ever warmed to Denji as a lead character. "[127] Lee commented that the series has an "interestingly goofy contrast between the characters and what's going on," adding that Denji's simple mind and "kind-of-horny instincts" can get tiring at times, but it does not make the series bad, and with the introduction of the "extremely interesting side characters," like Power and Makima, the story "takes a turn for the better. "[123] Its way of handling comedy has also been commented.