french streaming film gratuit et complet vf action francais
Looper. com. Retrieved
October 22, 2019. ^ Humphrey, Ryan. "Bartkira. com". www. thefutoncritic. com.
Archived from the original on 21
July 2020. Retrieved 3 November 2020.
By the second or third fight, it is already apparent what the formula Morikawa George is using consists of. Ippo's next enemy is stronger than his last, and he must somehow adapt to
this, typically by learning some new technique. And when the fight itself comes, it all boils down to Ippo winning through his sheer tenacity - no matter what his opponents throw at him, he just doesn't give up, and you just know the spectators will feel the
need to comment on his never ending stamina between every single round. In all truth, while simple, this is both tiring and unsatisfying, especially since Ippo's opponents are almost always significantly more interesting and endearing than Ippo himself.
The narrative wants me to root for the hard working underdog Ippo, but it usually turns out that I want his opponent to win. This is because Ippo's enemies are fleshed out enough for the viewer to understand how they've trained for this day and what is at stake for them.
But when you compare the animation with
other shows that were airing about the same time (Pokemon, Sailor Moon StarS, to name a few), it doesn't seem to be quite as good as it possibly could be. The main reason for that was that during production, the Kobe earthquake hit the production studio (Madhouse), and the film's budget was reduced from one for a live-action
movie to that of an OVA. Not the greatest art out there during the time, but given the situation that they had to work with, it's still pretty decent.
Music: The pop numbers that Mima's trio does (CHAM!) are pretty catchy. And the other music that's played only heightens the suspense. Pretty good, overall.