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He compared the samurai culture to hip hop through a similar philosophy of self-identity. [12] The use of hip hop also reinforced the series' focus on its minority and counter-cultural cast, creating a cultural reference by using one with the other. [13] Alongside his liking of hip hop, Watanabe attributed a large amount of the series' inspiration in the works of actor Shintaro Katsu, particularly his historical dramas. The narrative approach of the finished series was inspired by Katsu's notorious habit of directing projects without a set story structure. [5] The word "Champloo" in the title was derived from the Okinawan term chanpurū, with Watanabe comparing the blending of elements in the anime with the meaning of chanpurū. [14] The food depicted in the show was originally accurated to the Edo period, but eventually expanded to include anachronistic dishes such as okonomiyaki. [5] The plot is structured like a road movie, with little connection between stories until the final three-part arc, contrasting against the serial structure of its contemporaries. [8] Watanabe particularly cited the movies about the blind samurai Zatoichi as an inspiration for this style. Other influences on the series included Enter the Dragon and Dirty Harry. One episode was based around the Chinese concept of Qi. [15] During early planning, the series' tone was far more serious, but after the first four episodes had been written, the staff were worried about the tone becoming bleak, prompting a greater focus on comedy.

Archived from the original on January 28, 2021. Retrieved January 28, 2021. ^ Gramuglia, Anthony (March 23, 2020). "My Hero Academia Features a Cameo from ANOTHER Shonen Manga Hero". Comic Book Resources. Archived from the original on March 24, 2020.

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Archived from the original on November 16, 2021. Retrieved January 15, 2022. ^ Pool, Josh (May 16, 2006). "Top Ten Anime Themes and Soundtracks of All-Time". IGN. Archived from the original on January 17, 2013. Retrieved January 17, 2013. Bibliography[edit] Samurai Champloo Roman Album. Dark Horse Comics. February 21, 2007. ISBN 978-1-5930-7642-9. Sign up to the GamesRadar+ NewsletterWeekly digests, tales from the communities you love, and moreContact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsorsBy submitting your information you agree to the Terms & Conditions and Privacy Policy and are aged 16 or over. Bradley RussellSocial Links NavigationI'm the Senior Entertainment Writer here at GamesRadar+, focusing on news, features, and interviews with some of the biggest names in film and TV. On-site, you'll find me marveling at Marvel and providing analysis and room temperature takes on the newest films, Star Wars and, of course, anime. Outside of GR, I love getting lost in a good 100-hour JRPG, Warzone, and kicking back on the (virtual) field with Football Manager. My work has also been featured in OPM, FourFourTwo, and Game Revolution. More about tvThe 7 best new movies and shows to stream this weekendMasters of the Air true story: here's what happened to the 100th Bomb Group after the showLatestPokemon TCG Pocket looks ace, but it can learn a few things from Marvel SnapSee more latest ► See comments Most PopularFrom Skyrim to Elden Ring and even Final Fantasy 7 – my favorite RPG magic spell has never once let me downBy Joe Donnelly7 March 2024The 32 greatest '70s movie charactersBy Eric Francisco6 March 2024As One Piece nears its end after almost 30 years, creator Eiichiro Oda is throwing out the rulebook on how to end a long-running mangaBy Daniel Dockery6 March 2024It took 86 hours for me to realize that I love Persona 3 Reload (and probably JRPGs in general)By Jasmine Gould-Wilson6 March 2024Nightingale's most requested feature is closer to home than you might thinkBy Katie Wickens6 March 2024The making of Cyberpunk 2077's metro system: "From day one, we considered the NCART to be a roleplaying feature first and foremost"By Heather Wald6 March 2024"Like a sulfur-scented mix of Goodfellas and The Long Halloween.

"Empty" can easily be used to describe the characters as well. Emilia, for example, exists as little more than a personification of the average anime fan's ideal woman, similar in many ways to Asuna from Sword Art Online, and lacking in any meaningful characterisation besides her occasionally getting upset at Subaru. It's even more baffling that Subaru chooses her in the world of romance when she has done very little to win over his affection or help him, aside from giving him a place to stay for a couple days. She may as well not even exist-- the only reason she even does is to create more senseless tragedy for Subaru.
Rem and Ram are much better characters, as they actually have legitimate characterisation, backstory and development over the course of the story. The issue with them, particularly Rem, is that this development occurs so suddenly that it feels more like a complete change in character than an extension of who they really are.