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Record producer Vincent Herbert contacted her and asked her to audition for Blackground Records. [16] In 2003, at age 12, JoJo signed with Blackground Records and its imprint Da Family Entertainment and began working with producers for her first album. JoJo's gold-certified debut single "Leave (Get Out)" was released in 2004. [25] Following the single's release, JoJo embarked on her first tour, the Cingular Buddy Bash with pop rock singer Fefe Dobson, hip hop duo Young Gunz, rap rock band Zebrahead, and teen pop stars Ryan Cabrera and Busted. It stopped at nine malls, starting at Atlanta's Northlake Mall and ending at South Shore Plaza near her hometown of Foxborough. When the single reached number one on the Mainstream Top 40 chart, she became, at age thirteen, the youngest solo artist to have a number-one single in the United States. The first single was nominated for Best New Artist at the 2004 MTV Video Music Awards, which made JoJo the youngest MTV Video Music Award nominee. [26] Her first album, the platinum-selling JoJo, was released in 2004, peaking at number four on the U. S. Billboard 200 and number ten on the Top R&B/Hip-Hop Albums, selling 95,000 copies in its first week and reaching the top forty of the UK Albums Chart. [25] In September 2004, JoJo released her second single, the gold-selling "Baby It's You".

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"Confrontation with Sanemi Shinazugawa" (不死川実弥との対峙) 1:4719. "Gratitude" (感謝) 0:5320. "Showdown with Kanao Tsuyuri" (粟花落カナヲと対決) 1:1121. "Lower Rank Demon" (下弦の鬼) 1:0522. "New Mission: Toward the Mugen Train" (新たなる任務~無限列車に向かって) 2:5023. "From the Edge" (TV version) 1:30Total length:40:12 Reception[edit] Popularity and cultural impact[edit] The anime had received high TV rating percentage and has consistently ranked among the top ten animated shows in Japan, since the release of second season's Mugen Train and Entertainment District story arcs. [80] According to Video Research, Entertainment District Arc averaged 18. 43 million viewers, with 25. 5 million for episode 10 and 25. 97 million for episode 11. [81] The Swordsmith Village Arc's final episode averaged 22. The characters arbitrarily doing stupid things for the sake of the plot in the second half, such as Dororo randomly falling for a trap door in a seemingly abandoned shack in episode 15 despite her being a trickster character who would never be this gullible, or Hyakkimaru not even thinking to chisel the rock trapping Dororo’s arm to free her as she’s drowning in episode 20. The old man conveniently shows up as a deus ex machina, and his first instinct is to chisel the rock and that lets Dororo get out of there, making this problem all the more aggravating. In the second half of the show, Hyakkimaru somehow knows where an important character is and tracks them down offscreen, not once, but twice despite there being nothing presented to the audience or to Hyakkimaru himself that could feasibly allow him to track them down. In episode 15, a village is consumed by fire and it’s blamed on an underground oil spill reacting to a moth demon randomly crashing onto a watch tower with a torch which subsequently exploded, except there’s no way it could have affected the oil in order to cause the fire to consume the village. The show also constantly beats you over the head regarding how tragic things are, and it often has the narrator or character reiterating what they’re doing. Apart from one spoiler-heavy moment a bunch of characters could have easily avoided if they had any sense of urgency, these are the only real big issues I can think of regarding issues with bad writing.
874 eps • 1999–2024874 episodes • 1999–2024Akemi OkamuraNami. 592 eps • 1999–2024592 episodes • 1999–2024Laurent VerninMr. 7578 eps • 1999–2012578 episodes • 1999–2012Tony BeckRoronoa Zoro577 eps • 1999–2012577 episodes • 1999–2012Kazuya NakaiRoronoa Zoro. 559 eps • 1999–2024559 episodes • 1999–2024Kappei YamaguchiUsopp.