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Retrieved April 10, 2023 – via Twitter. ^ Oliver, Davon [@DavonOliverVO] (April 8, 2023). "LET'S GOOO!! I'm blessed to announce. I VOICE EITA OTOYA IN BLUE LOCK!!! I LOVE Otoya, his design, his potential! Blue Lock has been my obsession since October and I get to bring one of my faves to dub life!! A million thanks to @RetroJono and Derric for having me!!" (Tweet). Retrieved April 10, 2023 – via Twitter. ^ Oliver, Davon [@DavonOliverVO] (April 8, 2023). "LET'S GOOO!! I'm blessed to announce. I VOICE EITA OTOYA IN BLUE LOCK!!! I LOVE Otoya, his design, his potential! Blue Lock has been my obsession since October and I get to bring one of my faves to dub life!! A million thanks to @RetroJono and Derric for having me!!" (Tweet). Retrieved April 10, 2023 – via Twitter.

Archived from the original on 2002-10-06. Retrieved 2016-05-01. ^ a b "社名変更のお知らせ". SNK Playmore (in Japanese). July 2003. Archived from the original on 2005-11-25. Retrieved 2023-10-27. ^ "Change of our Company Name". SNK Playmore. 2003-07-07. Archived from the original on 2003-08-04.

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Animations/Sound
Mushoku Tensei's setting is animated in rich natural textures with beautifully animated effects. Studio Bind does an exceptional job in incorporating ink-like paintings into the setting all the while maintaining a consistent usage of lighting to match with the tone of every scene. All of these elements combined together not only create a show that is bearable for the eyes, but also immerses you into the unfamiliar world. The music directing in the show is unique in that it incorporates the OP song with snippets of different scenes every episode. The soundtrack is typical of a fantasy show and there is not much to be noted besides the usage of a few arrangements to the last scene of a couple episodes.
Conclusion
Mushoku Tensei is NOT FOR EVERYONE. It prioritizes comedy over dramatic moments and disregards several imaginary borders that most animes would not cross. It is not an emotional rollercoaster that will pull at your heartstrings, do not expect badass fight scenes or numerous amounts of blood and gore. It is better characterized as a comedic adventure rather than a seriously dramatic show. Nevertheless, it is undoubtedly a fun watch for anyone looking for a typical isekai anime that does not fail in its execution.
Two quotes to describe this show:
-"I wish I could've atleast lost my virginity. ^ a b c Formerly known as Funimation. ^ Episodes 88–94 originally aired as two compilation specials on NHK General TV which premiered on March 4 and November 5, 2023. ^ Screenplay supervised (脚本監修) by Tetsurō Araki. ^ a b Credited as Chief Director (総監督). ^ In North America through Crunchyroll (formerly known as Funimation) and in Australia through Madman Anime. ^ a b c Parts 3 and 4 originally aired as two compilation specials and were later redistributed as episodes 88–94 (season 4, episodes 29–35) of the TV series.
A showdown, in which the Goblin Slayer harnessed all his rage and pent-up frustration to fuel his fighting spirit to its absolute maximum.
So why, you may ask, does the community hate the Goblin Slayer? Detractors have argued that the Goblin Slayer’s combative fury embodies the worst aspects of the “Unstoppable Rage” archetype. You know, the same “Unstoppable Rage” every Shōnen hero experiences when they lose their shit and unlock a dormant power they never realized they had, until that very moment when they needed it most. In addition, they claim that the excessive amount of fan-service has been rather excessive. Excessive or not, the fan-service has been a point, with a plethora of great camera angles and side boob action to boot. Lastly, they assert that none of the characters exhibit a genuine personality, or display any growth throughout the series.