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[39] In the 4th Crunchyroll Anime Awards, Hyakkimaru was voted as one of the best protagonists and boy of the year while "Sayonara Gokko" was voted as one of the best ending sequences. Satoshi Iwataki was also voted as one of the best character designers. [40] Only Iwataki won in a Dororo vote. [41] Forbes also listed Dororo as one of the best series from its decade. [42]
Thrillist regarded it as one of the best anime series in Amazon Prime. [43] Thrillist named the series as one of the best anime of the 2010s, CL praising the action sequences, themes and visuals. [44] Early impressions of the series were positive with the handling of MAPPA's animation, the alterations to Hyakkimaru's portrayal and origins in comparison to Osamu Tezuka's manga and Dororo's personality. [45][46][47] The handling of the tragic relationship
between Hyakkimaru and Mio was earned similar response as the former is suddenly developed when meeting Mio though the dark twist was noted that it could negatively affect his future as well as the latter's occupation as a prostitute which was deemed too dark. [48][49][50][51] Although the narrative uses the idea of villain of the week, RiceDigital and Popzara noted that Hyakkimaru changed almost in every episode due to he builds his own identity as he regains parts of his body, noting his meeting with Mio heavily affected his desire to restore his own body rather than defend his own body. [52][53] Dororo's backstory was also noted tragic not only for how the young child suffered following the death of his parents and it was shown how he created a stronger personality in order to fight for her life, acting like a male rather than a girl,[54][55] though Fandom Post found it as obvious knowledge for the audience. [56] His eventual reunion with the bandit Itachi who plans to steal his father's treasure using the map hidden on the child's back was noted for the story more moral tones as despite Itachi's cruel nature, the two protect one another from the young Shiranui.
