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[147] Kimlinger gave particular praise to the characteristics of the complex villain Hisoka and the deep, emotional transformation of Kurapika in the latter half of the series. [12][13][49] Theron Martin, also of ANN, contrastingly found the plot of the earliest episodes to be cliché, called the protagonist Gon "an obvious Son Goku derivative", and stated that many of the story's aspects have already been covered by other shōnen series such as Dragon Ball Z a decade earlier. Martin was also displeased by an alleged lack of character development on the main protagonists' parts in the initial episodes. [11] The art and
animation of the Hunter × Hunter anime have also been commended by the press. Kimlinger and Tucker
were impressed by the art direction of Hunter × Hunter, the former of whom critiquing the adaptation of Togashi's work by Furuhashi as having "understated energy and flair, making the most of the era's (1999) mix of traditional and CG animation to bring Gon and friends' physical feats to fluid, exhilarating life. "[49][147] Martin faulted both the artwork and the subtle differences in character design. "The artistry not only shows its age but, in fact, looks older than it actually is," the reviewer commented, "hearkening back to a day when digital coloring and CG enhancements were not ubiquitous and allowances for a rougher look were greater. " Opinions of the series' sound and music have been somewhat mixed. Martin positively noted the soundtrack as the strongest production point of Hunter × Hunter, and was satisfied with both the English translation of the script and Ocean's voice overs. [11] Tucker found the music satisfactory and improved as the series progressed, but did not think it lived up to its potential. [147] Kimlinger agreeably felt the musical score to be appropriate in most instances, but criticized the English dub as "a letdown since day one".
[160][179] Evangelion has developed into a social phenomenon beyond its primary fan base, generating national discussion in Japan. The series has also been the subject of numerous media reports, debates, and research studies worldwide. [180][50] The show has received review by critics, academics and sociologists alike, including by Susan J. Napier, William Rout, Mick Broderick, Mari Kotani,[181] Shinji Miyadai,[182] Hiroki Azuma,[51] Yuriko Furuhata, and Marc Steinberg. [183] The series has been described as both a critique and deconstruction of the mecha genre. [8][184] Japanese critic Manabu Tsuribe considered that Evangelion was "extremely interior and is lacking in sociality, so that it seems to reflect pathology of the times. "[185] Anime News Network's Martin Theron described the character design as "distinctive, designed to be sexy rather than cutesy", and the mecha designs as "among the most distinctive ever produced for an anime series, with sleek, lithe appearances that look monstrous, fearsome, and nimble rather than boxy and knight-like". [186] Mike Crandol stated "It no longer seems contrite to say that Evangelion is surely one of the all-time great works of animation". [173] In February 2004 Cinefantastique listed the anime as one of the "10 Essential Animations". [187] Awards[edit] Neon Genesis Evangelion has scored highly in popularity polls. In 1996, the series won first place in the "Best Loved Series" category of the Anime Grand Prix, a reader-polled award series published in Animage magazine.
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