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Watch any anime which takes place in a school, and you’ll notice students refer to their teachers not with san, but with sensei. And since sensei is also gender neutral, it’s a rather nice alternative to the “Ms. / Mrs. / Miss / ?!?!” debacle I had to put up with during my school career. Sensei can really refer to any instructor-type, or anyone with a lot of knowledge or who has mastered their craft, like doctors or professional musicians/artists. Senpai Critical to the high school romance genre, senpai is for someone who is your “senior” in some way. Perhaps they are a higher grade in your high school. Perhaps they’ve worked at your office for longer. Both would be acceptable senpai situations. But a senpai is still in your social strata—a fellow employee, but not your boss. Don’t go calling your teacher “senpai.

tv, it seems that most (if not all) of the following Online French TV Channels are only available for people residing in the EU. But do give it a try anyway – it’s worth it! 2. Arte Arte. tv is a fabulous FREE French-German TV channel that has since expanded its languages to English, Spanish and a few more. You can find many interesting documentaries, reports and movies on that site. It’s a heavily culture, history and geography-focused channel, so the movies you will find there will often be classic, international, deep or unusual.

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Accolades[edit] In the 1999 Anime Grand Prix awards for the anime of 1998, Cowboy Bebop won two first place awards: Spike Spiegel was awarded the best male character; and Megumi Hayashibara was awarded the best voice actor for her role as Faye Valentine. Cowboy Bebop also received rankings in other categories: the series itself was awarded the second best anime series; Faye Valentine and Ed were ranked the fifth and ninth best female characters respectively; "Tank!" and "The Real Folk Blues" were ranked the third and fifteenth best songs respectively; and "Ballad of Fallen Angels", "Speak Like a Child", "Jamming with Edward" and "Mish-Mash Blues" were ranked the second, eighth, eighteenth and 20th best episodes respectively. [116] In the 2000 Anime Grand Prix awards for the anime of 1999, Cowboy Bebop won the same two first place awards again: best male character for Spike Spiegel; and best voice actor for Megumi Hayashibara. Other rankings the series received are: second best anime series; sixth best female character for Faye Valentine; seventh and twelfth best song for "Tank!" and "Blue" respectively; and third and seventeenth best episode for "The Real Folk Blues (Part 2)" and "Hard Luck Woman" respectively. [117] In the 2000 Seiun Awards, Cowboy Bebop was awarded for Best Media of the Year. [118] A 2004 poll in Newtype USA, the US edition of the Japanese magazine Newtype, asked its readers to vote the "Top 25 Anime Titles of All Time"; Cowboy Bebop ranked second on the list (after Neon Genesis Evangelion), placing it as one of the most socially relevant and influential anime series ever created. [119] During that same year, Cinefantastique listed the anime as one of the "10 Essential Animations", citing the series' "gleeful mix of noir-style, culture-hopping inclusiveness and music". [120] In 2007, the American Anime magazine Anime Insider listed the "50 Best Anime Ever" by compiling lists of industry regulars and magazine staff, and ranked Cowboy Bebop as the #1 anime of all time. [121] In 2012, Madman Entertainment compiled the votes of fans online for "The Top 20 Madman Anime Titles" and ranked Cowboy Bebop at seventh. [122] Cowboy Bebop has been featured in several lists published by IGN. In the 2009 "Top 100 Animated TV Series" list, Cowboy Bebop, labelled as "a very original – and arguably one of the best – anime", was placed fourteenth, making it the second highest ranking anime on the list (after Evangelion) and one of the most influential series of the 1990s. Motorbooks. p. 62. ISBN 978-0-7603-2284-0. Retrieved 13 March 2016. ^ "Pontiac Tempest Le Mans GTO Homologation Form".

[172][173][174][175] N. S. Davidson of IGN concluded that having several concurrent plot branches is not enough for an anime to succeed, but that good writing, interesting characters, and action are also necessary. He proclaimed in his review of the anime's final episodes that Yu Yu Hakusho possesses all of these qualities. [176] This was concurred upon by Joseph Luster of Otaku USA, who summed up his feelings about the universe of Yu Yu Hakusho by stating, "Togashi's world is eternally hellish and dark, but wildly varied. The only thing that doesn't change throughout its run is the fact that you'll still be rooting for the well-defined protagonists until the credits run on the last episode. "[177] Jeffrey Harris of IGN was more critical when looking at later episodes, and felt that the end of the show's third arc involving the villain Sensui is too similar to the finale of the second arc with Toguro. He described the episodes as trying too hard to draw sympathy from the audience for the anime's villains. [178] Despite his overall praise of Yu Yu Hakusho, Divers noted in a review about one DVD release that the show "[walks] that fine line of a solid long running series or being a broken record". [171] He also called the artwork of the first few episodes "dated" and pointed out questionable script choices regarding the English dub. [168] Aedan Juvet of Funimation called the anime influential and "timeless" with classic villains, highlighting five villains in the series which helped the anime evolve.