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Tokyo Broadcasting System. Retrieved March 5, 2010. ^ "Anime Network To Begin Streamin Maid Sama On June 15". Anime News Network. June 8, 2010. Retrieved June 8, 2010.

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Archived from the original on May 9, 2007. Retrieved May 4, 2007. ^ Dong, Bamboo (February 24, 2007). "New York ComicCon 2007 – Viz Media – Anime". Anime News Network. Archived from the original on February 27, 2007. Retrieved February 24, 2007. ^ "Viz Media Announces Fall DVD Release of Death Note Anime Series". Anime News Network. June 29, 2007. Archived from the original on July 1, 2007. After leaving Sekki, Ōnoki again talked about the true nobleness of his goals, saying he wants to save lives. Wanting to prove his point, he decided to take Boruto to the site where his grandson was killed. There, Ōnoki justified his plan to replace shinobi with Akuta, but Boruto rejected his envision. Boruto fighting Kakō. Being discovered by Kakō, Boruto fought him, during which he was joined by Sarada and Chōchō. While on the verge of being killed, Kakō succumbed to his injuries and died.
He’s an embodiment of systemic rot, and Hervé Pierre personifies his power in delightful fashion; the stench of his arrogance is nauseating, even when the character doesn’t speak. However, Pellegrini’s all-encompassing menace doesn’t often push Diop or the show to find innovative solutions. More often than not, the season’s ideas feel like variations on things Diop has already tried. Part 2 lacks the slickness and novelty of Part 1’s episodic heists, but its story moves smoothly along a linear path, rarely meandering like its predecessor, and always twisting its narrative screws. The directorial duties this time are split between Ludovic Bernard (Chapters 6-7) and Hugo Gélin (Chapters 8-10), who help make the season more visually and emotionally engaging overall. The color palette rarely escapes Netflix’s all-too-frequently washed-out look, but the camera often matches intense moments with tight, unsettling framing, and romantic moments with telephoto portraits in free-flowing motion, all tied together by Mathieu Lamboley’s playful, jazzy score.