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Foster: Uh, well, you know those really cheap Japanese cartoons? No? This is basically a cheaper Afghani knockoff. It's this monkey that basically travels around the world.
[22] Traditionally, Class S stories focus on strong emotional bonds between an upperclassman and an underclassman,[18] or in rare cases, between a student and her teacher. [23] Private all-girls schools are a common setting for Class S stories, which are depicted as an idyllic homosocial world reserved for women. Works in the genre focus heavily on the beauty and innocence of their protagonists, a theme that would recur in yuri. [24] Critics have alternately considered Class S as a distinct genre from yuri,[25] as a "proto-yuri",[26] and a component of yuri. [25] 1970s and 1980s: The "dark age"[edit] In 1970, manga artist Masako Yashiro published the shōjo manga Shīkuretto Rabu (シークレットラブ, "Secret Love"), which focuses on a love triangle between two girls and a boy. Noted as the first non-Class S manga to depict an intimate relationship between women, Shīkuretto Rabu is regarded by some scholars as the first work in the yuri genre. [27] As both Yashiro and Shīkuretto Rabu are relatively obscure and the work focuses in part on male-female romance, most critics identify Shiroi Heya no Futari by Ryōko Yamagishi, published in 1971, as the first yuri manga. [28][29][30] The 1970s also saw shōjo manga that dealt with transgender characters and characters who blur gender distinctions through cross-dressing,[31] which was inspired in part by the Takarazuka Revue, an all-female theater troupe where women play male roles. [32] These traits are most prominent in Riyoko Ikeda's works,[33] including The Rose of Versailles (1972–1973), Dear Brother (1975), and Claudine (1978). [34] Some shōnen works of this period featured lesbian characters, though they were typically depicted as fanservice and comic relief. [35] Roughly a dozen yuri manga were published from the 1970s to the early 1990s, with the majority being published in the 1970s.
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