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i feel sad. ”
chapter 50: “is there a meaning to life? or is it an empty shell? are we all just random specks of stardust, floating in a vast, empty, unfeeling cosmos?”
chapter 100: “i see now. I FINALLY SEE. THIS WORLD IS CORRUPT! I WILL PURGE IT!” .

Archived from the original on June 21, 2019. Retrieved June 22, 2019. ^ Gonzalez, Oscar (June 21, 2019). "Neon Genesis Evangelion on Netflix erases iconic 'Fly Me to the Moon' outro". CNET. Archived from the original on June 21, 2019.

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^ Loo, Egan (April 4, 2008). "2 Alabama 6th-Grade Boys Arrested for Death Note Book". Anime News Network. Archived from the original on May 16, 2008. Retrieved May 24, 2008. ^ Loo, Egan (May 24, 2008). "4 Washington Middle Schoolers Disciplined over "Death Note"". Anime News Network. Archived from the original on May 26, 2008. Retrieved May 24, 2008. ^ "Dark clouds of mental illness trouble young children". Archived from the original on July 12, 2014. ^ "Bleach Box Set 1: Volumes 1–21 with Premium". Viz Media. Archived from the original on January 7, 2018. Retrieved January 6, 2018. ^ "Bleach Box Set 2: Volumes 22–48 with Premium". Viz Media. Archived from the original on January 7, 2018. Retrieved January 6, 2018. ^ "Bleach (3-in-1 Edition), Vol. 1".
Kobayashi, Sasaki, Sanae Mitsugi and Hideki Goto were credited as planners and executive producers,[33] and the producers were Takatoshi Hamano, Takashi Kochiyama and Tetsuro Satomi. [34] The story was composed by Shinji Obara and Yukihiko Tsutsumi of Office Crescendo, with scripts written by Obara, Dai Satō, Touko Machida, Keiko Nobumoto, Seiko Takagi, Ryota Sugi, and Watanabe. [8][33][34][35] Nakazawa wrote and storyboarded episode 15, being credited as Uwadan Shimofuwato in the former role. [21][34] Nakazawa also acted as both character designer and chief animation director. The art director was Takeshi Waki, the storyboard director was Kazuki Akane, and coloring was led by Eri Suzuki. [8][33] Additional characters were created by Hideto Komori. [5] Weapon designs were co-created by Mahiro Maeda and Manglobe managing director Hidero Okamoto. [5][33] The cinematographer was Kazuhiro Yamada, with Syuichi Kakesu as lead editor. [33] Numerous guest creators were also brought in for different episodes as artists or animation directors, including Shūkō Murase Takeshi Yoshimoto, Naoko Nakamoto, Hiroyuki Imaishi and Tensai Okamura. [36] Concept and development[edit] The concept for Samurai Champloo was created by Watanabe in 1999, then known for his work on Cowboy Bebop. He wanted to create a series antithetical to the largely calm and mature atmosphere of Cowboy Bebop, wanting a complete change due to fatigue after working on one project for such a long period.