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au. Retrieved February 5, 2019. ^ Sanchez, Kate (January 27, 2019). "REVIEW: 'Kingdom' is the Show the Zombie Genre Needed". But Why Tho?. Retrieved February 5, 2019.

Retrieved December 14, 2021. ^ ようこそ実力至上主義の教室へ 3. Media Factory. 23 March 2017. Archived from the original on September 24, 2021. Retrieved September 24, 2021.

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Naturally, I’d expect Saekano to be something close to his work . in eroge.
I probably should’ve listened to the warning signs. Certain Maruto fans on Twitter had already panned the show and the LN for being self-gratifying otaku humor. People who have watched the first two episodes called the show obnoxious for having snarky commentary on its clichés while also indulging in them.
But let’s give credit where it’s due: Saekano isn’t complete trash. I would probably be more forgiving of the show if it were: it’s easier to let go of a show that’s a total failure than a show that flubbed with its great ideas. There are two things that Saekano did well in portraying: the relationship between consumer and creator, and the character of Katou Megumi. Let’s start with the former. [11] In December 2021, Horikoshi stated during the interview at Jump Festa '22 that "if things go smoothly, the manga will meet its goal to end in one year. If it doesn't go smoothly, I think [Izuku's voice actor] Yamashita will be reading out the exact same letter from me at next year's Jump Festa. " He also teased that Katsuki Bakugo would soon get a "big scene". [12] Horikoshi wrote in the 34th volume of the manga that "I feel like I can finally see the goal in sight. It's a rather strange feeling getting to this point. In the past, I would just be drawing without a single care [for the future], but now I wonder just how many more times can I draw these characters? Change is scary as you grow older. Well, I really shouldn't dwell on that! Until next volume then!". [13] In October 2022, Horikoshi rescinded the statement he made during Jump Festa '22, opting to take longer to complete the manga's final arc than initially expected. [14] Anime adaptation My Hero Academia producer Wakana Okamura, who previously worked with Bones on Blood Blockade Battlefront, stated in an interview that he chose to work with Bones on adapting the series because Okamura felt they would make it a "high-quality production" with a "wide reach [both] internationally and domestically". Okamura also stated the production staff, especially the character designer Yoshihiko Umakoshi, were fans of the manga. [15] Director Kenji Nagasaki said Bones wanted to "make [the series] with a strong core and backbones".