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Here, though, it works more to emphasize the beauty there is to be found in everyday, ordinary places and happenings when people slow down to appreciate them as the things that make life worth living. At times, it’s almost disorienting how seamlessly Suzume’s able to shift gears and become more of a coming-of-age story about a girl learning to make her way through the world both on her own and with the help of unexpectedly kind strangers. But instead of ever feeling like it’s veering off course, Suzume’s paced in such a way that makes its brief tangents into the lives of other characters feel like it’s taking the scenic route on the way to a truly moving finale. Those showing up to Suzume hoping to see a completely new side to Shinkai might be somewhat disappointed because, in everything from its sun-drenched depictions of the Japanese countryside to its deeper metaphorical meanings, you can see how the movie’s the result of his doubling down on the things that light him up as a filmmaker. But that doubling down is also what makes Suzume feel like one of Shinkai’s strongest outings yet that’s almost certain to become even more of a classic with its
wide release. Suzume hits US theaters on April 14th. CommentsMost PopularMost PopularFortnite was down all dayRivian surprises with R3 and R3X electric SUVsOne fan spent three years saving a Final Fantasy game before it shut downMicrosoft says Russian hackers stole source code after spying on its executivesLogitech’s best gaming mouse just got better Verge Deals / Sign up for Verge Deals to get deals on products we've tested sent to your inbox daily. Email (required)Sign upBy submitting your email, you agree to our Terms and Privacy Notice. This site is
protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. From our sponsorAdvertiser Content FromMore from The best entertainment of 2023ExpandTelevisionExpandGamesCollapseFilmGodzilla Minus One is a brilliant reckoning for the king of monster allegoriesA24’s Dream Scenario is a shapeshifting parable about our obsessions with viral fameKillers of the Flower Moon is a devastating snapshot of America’s truth laid bareThis Barbie is a feminist parable fighting to be great in spite of Mattel’s inputHayao Miyazaki’s The Boy and the Heron is a beautiful relic — and the end of an eraAcross the Spider-Verse is an animated masterpiece that upends Marvel’s Spider-canonSuzume is everything that’s beautiful and moving about Makoto Shinkai’s imaginationBeau Is Afraid is an exercise in laughing to keep from screamingThe Super Mario Bros. Movie is the new gold standard for video game filmsTalk To Me is a potent dose of unrelenting teen horrorCreed III brings Adonis’ story full circle by trading in one set of daddy issues for anotherM3gan is a midrange delight about the horrors of 21st-century parentingThe VergeThe Verge logo.
^ 【CV. 水瀬いのり】『異世界でチート能力を手にした俺は、現実世界をも無双する』シリーズ累計200万部突破記念スペシャルムービー.
Kadokawa Anime YouTube Channel (in Japanese). March 17, 2023. Retrieved
February 2, 2024. ^ 異世界でチート能力(スキル)を手にした俺は、現実世界をも無双する~レベルアップは人生を変えた~.
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month before the match, Ippo trained to stop the champion from going in circles around Ippo by trapping him in a corner and using combinations to keep him there. This strategy proved to be ineffective as Ippo and Kamogawa received a call from Volg and Dankichi respectively revealing to them, after revealing the champion's name being
Wally, how, after he sparred with Volg, that Wally is most effective at the corner. Despite the warning, Kamogawa theorised that the deciding point of the match would be at the corner and continue the training to prepare Ippo for the corner battle. At the weigh-in at Kōrakuen Hall, Ippo met Wally for the first time and, after the weight check, he was forcefully hugged by the excited Wally, who then gave Ippo some of his bananas. Feeling bad that he ate the bananas and had nothing to give back, Wally insisted that Ippo would give him something the next day. Leaving the venue with Yagi, Ippo gave his opinion of Wally that he is strong, being similar to Volg and Sendō.
