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[21] Mori believes that the original work already contains the message that Ishiguro wants to convey, so the production side does not add anything else as a plus, but this work really has many elements, such as disasters, technology, and so on. He also thinks it would be nice if the viewers could choose what to pick up among the scattered elements and how to enjoy it, and feels that it is a work that has the bosom to be able to do that. increase. That is why Mori think it is his responsibility in making anime to properly convey that in a way that does not distort it too much. The hints are drawn from the first episode, so Mori is glad if the audience could see it from various perspectives, such as being curious about the mystery or liking the world view of Maru and Kiruko traveling through the ruins. As a production side, the production of the first episode was the most difficult. It is an introductory part, so the animators wanted the audience to like the world view and characters, look forward to the future. [21] Gen Satō, Maru's Japanese voice actor, found that while Maru expresses several emotions, not much about him is known so it got difficult for him to voice the character,[23] while Hibiku Yamamura, Tokio's Japanese voice actress, regards her as a delicate character, which made her hard to properly approach. [23] Regarding the anime adaptation, the director and production side had to think about the overall structure, so Ishiguro had to tell them the story to the end. Because of this, he asked the editorial department to appoint a separate editor, specifically for the anime. The first season is meant to adapt the first six volumes of the manga.Day on cover: 5. 花とゆめ1998年16号 (Hanayume-1998-16). Comic Holmes (in Japanese). Archived from the original on 11 June 2009. Retrieved 17 August 2020. Date on sale: 1998/07/18. フルーツバスケット:8年4カ月の連載に幕 国籍、性別問わず支持される理由. Mantan Web (in Japanese). The Mainichi Newspapers Co. 7 May 2007. Archived from the original on 28 August 2007.
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