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After the match, Kako attempts to seduce Yōta. However, he turns her down, much to her chagrin. When he tells Hina what happened, she is annoyed at the missed opportunity. 5"The Day of Grand Magic"
Transliteration: "Dai Mahō no Hi" (Japanese: 大魔法の日)Yuriko Abe[35]Jun Maeda[35]November 8, 2020 (2020-11-08) Kyōko tries to convince her father to visit her mother's grave without success. At the library, Kyōko reveals to Yōta how her father has been a recluse since her mother died. Hina decides to have Yōta get Kyōko's father out of his house.

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[37] Owing to the small number of works published during this period and their generally tragic focus, Yuri Shimai has referred to the 1970s and 1980s as the "dark age" of yuri. [38] Several theories have emerged to explain the bias towards tragic narratives present in this period. Writer and translator Frederik L. Schodt notes that the majority of shōjo manga published during this period were tragic, regardless of whether or not they were yuri. [37] James Welker of Kanagawa University argues that these narratives represent a form of "lesbian panic", where the character – and by extension, the author – refuses their own lesbian feelings and desires. [37] Verena Maser suggests that the decline of Class S removed the only context in which intimate relationships between women were possible,[39] while Yukari Fujimoto suggests that patriarchal forces were responsible for tragic endings in these stories. [37] 1990s: Mainstream popularity[edit] Cosplayers dressed as Sailor Uranus and Sailor Neptune from Sailor Moon By the 1990s, tragic story formulas in manga had declined in popularity. [40] 1992 saw the release of two major works for the development of yuri: Jukkai me no Jukkai (1992) by Wakuni Akisato [ja], which began to move the genre away from tragic outcomes and stereotyped dynamics;[41] and the anime adaptation of Sailor Moon (1991–1997) by Naoko Takeuchi, the first mainstream manga and anime series to feature a "positive" portrayal of a lesbian relationship in the coupling of Sailor Uranus and Sailor Neptune. [7][33] The immense popularity of Sailor Moon allowed the series to be adapted into anime, films, and to be exported internationally, significantly influencing the shōjo and yuri genres. [42] Uranus and Neptune became popular subjects of dōjinshi (self-published manga, analogous to fan comics) and contributed to the development of yuri dōjinshi culture. [43][44] The success of Sailor Moon significantly influenced the development of yuri, and by the mid-1990s, anime, and manga featuring intimate relationships between women enjoyed mainstream success and popularity. [61] Reception[edit] Box office[edit] Your Name became a huge commercial success, especially in Japan,[62] where it grossed ¥25. 17 billion. [63] The film achieved the second-largest gross for a domestic film in Japan, behind Spirited Away, and the fourth-largest ever, behind Titanic and Frozen. [64] It is the first anime not directed by Hayao Miyazaki to earn more than $100 million (~¥10 billion) at the Japanese box office. [26] It topped the box office in Japan for a record-breaking 12 non-consecutive weekends. It held the number-one position for nine consecutive weekends before being toppled by Death Note: Light Up the New World in the last weekend of October.
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