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"Champloo" means mixed-up or stir-fry, and that's what this series is: a stylish blend of old school values and situations, meshed with more modern sensibilities, fighting styles, and visual design. Over the lush, dynamic art, a soundtrack of some of the best hip-hop from modern Japan plays. Though it's a noticeable device in the first few episodes, it doesn't take long before the music feels like second nature despite the anachronism.
Champloo is many things: a mature drama, an action series, an uproariously funny comedy and a visual feast. Watanabe-san demonstrates here that the success of Cowboy Bebop was uniquely his, and no fluke - fans of that series will not be disappointed, despite how radically different the two story lines are from one another.
As the title card of the first episode of Samurai Champloo says, "Just shut up and watch.
" She also sees the work as an attack on the Japanese establishment, arguing that Otomo satirizes aspects of Japanese culture: in particular, schooling and the rush for new technology. Akira's central image of characters aimlessly roaming the streets on motorbikes is seen to represent the futility of the quest for self-knowledge. The work also focuses on loss, with all characters in some form orphaned and having no sense of history. The landscapes depicted are ruinous, with old Tokyo represented only by a dark crater. The nihilistic nature of the work is felt by Napier to tie into a wider theme of pessimism present in Japanese fantasy literature of the 1980s. [22] According to Dolores P. Martinez, the serial nature of the work influenced the storyline structure, allowing for numerous sub-plots, a large cast, and an extended middle sequence. This allowed for a focus on destructive imagery and afforded Otomo the chance to portray a strong sense of movement. [8] The work has no consistent main character, but Kaneda and Tetsuo are featured the most prominently throughout. [8] Publication[edit] Written and illustrated by Katsuhiro Otomo, Akira was serialized biweekly in Kodansha's Young Magazine from December 20, 1982, to June 25, 1990. [17] While drawing the manga, Otomo began work on an anime film adaptation, leading to a lengthy break between chapters 87 on April 20, 1987, and 88 on November 21, 1988.
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