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After seeing how selfish and amoral he was acting from resorting to such a tool, he gained a newfound respect for actual hard work. At the same time, he also earned a strong dislike at anyone relying on such advanced tools, believing that one should rely solely on their natural skill. Upon meeting Ao, however, he came to appreciate that tools, no matter how advanced, are not inherently good or bad, but merely a means to a goal that depends on its user. Also, upon seeing how such inventions could be used even small animals, he came to appreciate Katasuke Tōno's work. Despite his arrogance, he does not look down on anyone else and is very loyal to his friends. Without hesitation, he had repeatedly come to the aid of Denki when he was physically harmed.

2/107. 4KYOUR RATINGRatePOPULARITY2,593134AnimationActionDramaThe Republic of San Magnolia is at war with its neighboring country, the Empire of Giad. Both sides use unmanned drones to conduct a "war without casualties". The story follows Lena as she c.

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Archived from the original on February 3, 2024. Retrieved February 4, 2024. ^ Graphic Books and Manga Bestseller Monthly List: February 2020: Mateo, Alex (February 10, 2020). "My Hero Academia Ranks #8 on New York Times Graphic Books Bestseller's February List". Anime News Network. Archived from the original on July 5, 2022. Retrieved June 6, 2023. ^ Loo, Egan (June 30, 2023). "Mashle: Magic and Muscles Anime Season 2 Slated for Next January". Anime News Network. Archived from the original on June 30, 2023. " Examples being its fictional nen ability, which is explained "so thoroughly that you almost think it could exist," and the little challenges and games the characters face; "Over and over Togashi invents some little closed system or rules just so the heroes can break them; if he ever wants to change careers, I'd suggest game designer. " Thompson praised the character art as great, pointing out how instead of alternating between realistic and chibi like other artists, Togashi has cartoony and realistic characters interacting in the same panels. Thompson did note how the artwork during its magazine run is often "sketchy" and missing backgrounds, but that Togashi goes back and fixes it for its collected tankōbon release. Mentioning Togashi's love of gore he stated "the whole manga is about the mixture of childish adventure and creepy, adult themes" and noted how some panels later in the manga are apparently censored for gore by being covered with screentone. [135] Reviewing the first story arc, Chris Sims of ComicsAlliance called Hunter × Hunter one of the most "fun, ridiculous, and ludicrously violent comics I've ever read. " He stated that while it has every stereotypical idea about shōnen manga in force, what sticks out the most is the violence. Sims summed it up as "full of clever setups and characters that, while simple to the point of almost seeming one-dimensional at times, still manage to be solid and entertaining based on their reaction to the increasingly strange, increasingly deadly events around them". [136] Charles Solomon, a writer for The New York Times and Los Angeles Times, praised the moral seriousness of Gon, a quality that gives the protagonist "an appeal his relentlessly upbeat counterparts lack". [137][138] Publishers Weekly gave a positive review to the first volume of the manga, stating that Togashi "shows a deft touch" with its standard story, calling his artwork "clear and graceful", and mentioning that his characters are "endearing and complex". [139] While Rika Takahashi of EX. org and Claude J.
" Examples being its fictional nen ability, which is explained "so thoroughly that you almost think it could exist," and the little challenges and games the characters face; "Over and over Togashi invents some little closed system or rules just so the heroes can break them; if he ever wants to change careers, I'd suggest game designer. " Thompson praised the character art as great, pointing out how instead of alternating between realistic and chibi like other artists, Togashi has cartoony and realistic characters interacting in the same panels. Thompson did note how the artwork during its magazine run is often "sketchy" and missing backgrounds, but that Togashi goes back and fixes it for its collected tankōbon release. Mentioning Togashi's love of gore he stated "the whole manga is about the mixture of childish adventure and creepy, adult themes" and noted how some panels later in the manga are apparently censored for gore by being covered with screentone. [135] Reviewing the first story arc, Chris Sims of ComicsAlliance called Hunter × Hunter one of the most "fun, ridiculous, and ludicrously violent comics I've ever read. " He stated that while it has every stereotypical idea about shōnen manga in force, what sticks out the most is the violence. Sims summed it up as "full of clever setups and characters that, while simple to the point of almost seeming one-dimensional at times, still manage to be solid and entertaining based on their reaction to the increasingly strange, increasingly deadly events around them". [136] Charles Solomon, a writer for The New York Times and Los Angeles Times, praised the moral seriousness of Gon, a quality that gives the protagonist "an appeal his relentlessly upbeat counterparts lack". [137][138] Publishers Weekly gave a positive review to the first volume of the manga, stating that Togashi "shows a deft touch" with its standard story, calling his artwork "clear and graceful", and mentioning that his characters are "endearing and complex". [139] While Rika Takahashi of EX. org and Claude J.