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Archived from the original on October 28, 2020. Retrieved September 10, 2020. ^ ケンガンオメガ 4 (in Japanese). Shogakukan. Archived from the original on October 28, 2020. Retrieved September 10, 2020. ^ a b Chapman, Jacon (September 13, 2019). "Interview - The Creators of Food Wars!". Anime News Network. Archived from the original on September 30, 2020. Retrieved September 10, 2020.

Sparkle), the Japanese Homer Simpson. He's actually an amalgamation of two Japanese companies whose logos are a fish and a lightbulb, respectively. In "Thirty Minutes over Tokyo", there is a Japanese program called "Battling Seizure Robots", which parodies the infamous episode of Pokémon: The Original Series which caused seizures in nearly 700 people. In "HOMR", the family goes to an animation convention, and Bart and Lisa watch a parody of Fist of the North Star and Battle of the Planets. In "Bart vs. Lisa vs.

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^ "Twitter". Twitter. Archived from the original on April 22, 2017. ^ Ressler, Karen (January 17, 2017). "Deadline: Warner Bros. In Negotiations for Western Attack on Titan Films". Anime News Network. Archived from the original on January 18, 2017. Retrieved January 17, 2017. ^ Sherman, Jennifer (January 18, 2017). "Kodansha Rep: Report of Warner Bros. [14] Production[edit] This film was Satoshi Kon's first directorial effort. It all started when Masao Maruyama, a producer at Madhouse at the time, who had appreciated Kon's work on the OVA JoJo's Bizarre Adventure, contacted him to ask if he would be interested in directing in the fall of 1994. [15][16] The original author, Yoshikazu Takeuchi, allegedly first planned a live-action film based on his novel. However, due to funding difficulties, it was downgraded to direct-to-video and then direct-to-video animation. [17][18][19] When Kon received the initial offer, it was for an OVA project, so he made Perfect Blue as a video animation. [20] Then, it was decided to be released as a movie in a hurry just before its completion. [21] This work was originally made as a video animation for a narrow market, so it was expected to disappear as soon as a few people talked about it. [20][22][23] The fact that such a work was treated as a film, invited to many film festivals around the world, and released as a package in many countries was unexpected for those involved. [20][22][23] Psychological horror was not a mainstream genre in Japanese animation, and there was no precedent for it at the time, so it would normally have been rejected. So no one thought it would be a hit since it was just adopted by chance. That's why Kon was able to get the job.