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Pressed into fulfilling the expectations of others, especially her mother, Mafuyu lost sight of herself and her emotions. She puts up a "good girl" facade around other people, but reverts to her real, somber self in front of her group members. Outside the circle members, only Emu Otori seems to be aware of this. Ena Shinonome (東雲 絵名, Shinonome Ena) Voiced by: Minori Suzuki[9] The artist of the circle going by the internet name "Enanan", Ena is the one behind the illustrations for the circle's music video. She likes to post her selfies to social media to gain likes, but actually suffers from an inferiority complex. Believing she has no talent in painting, she is so pessimistic that she always thinks people would come to make fun of her artwork. She is a harsh tsundere who easily gets angry, especially towards Mafuyu, but is still generally nice and cares for others. Ena is Akito's older sister, and they both have a tough relationship. Mizuki Akiyama (暁山 瑞希, Akiyama Mizuki) Voiced by: Hinata Satō[9] Mizuki is the video editor of the circle's music videos, known by the internet name "Amia". They are playful and enjoy teasing their group members, particularly Ena. Despite their outwardly cheerful personality, Mizuki is said to have a "secret" deliberately left unknown to fellow circle members as well as the audience.

In fact, his only ability worth noting is return from death, which, while being extremely useful since it gives Subaru multiple chances at life, is the main source of his psychological trauma. Although he initially acts positive, Subaru slowly cracks and falls further into despair and insanity as the anime progresses. He is one of the few characters I've seen that, for the most part, actually acts like a real life human would in the dark situations that he finds himself in. Of course, this may mean that you'll want to punch him in the face sometimes when he acts all cowardly, stupid, and obnoxious, but you have to understand what the poor guy is going through. Plus he redeems himself in the later portion of the anime.
Emilia is a beautiful, kind, and lovable girl; in other words, the type that many view as great waifu material. However the thing that I like most about her is the fact that she, unlike so many other female characters like her, can actually live WITHOUT the male lead. During one point she actually decides that it's best for her and Subaru to go there separate ways. I find this to be rather admirable, since it shows that Emilia can be an independent person who doesn't need to rely on others. There's not much else to say about her since she hardly gets any screen time in the second half of the anime.
Rem surprised me the most out of all of the characters.

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The soundtrack contributes to the atmosphere a lot too, as Kensuke Ushio, who composed music for anime like Chainsaw Man, A Silent Voice, and The Dangers in My Heart, did a great job yet again here to convey the occasional emotional gut punch, or to get us even more uncomfortable in a horrifying sequence. Everything about the production overall was at a very high level, and after seeing the staff behind it, I can see why. It was truly a legendary team of people producing a passion project from start to finish, with the art director Yuji Kaneko, numerous elite episode directors and storyboarders in Haruka Fujita, in which it’s her first work outside of Kyoto Animation, Kai Ikarashi, who worked on Cyberpunk: Edgerunners as well as the Turning Point episode of Mushoku Tensei, and also Toshimasa Ishii, who directed 86: Eighty-Six. I would also love to shout out Hirotaka Mori, since it was his directorial debut in the anime sphere.
The characters were quite a strong part of the series as well, with Kiruko and Maru’s relationship and chemistry being quite the highlight of the show. The dialogue between them felt quite natural and organic, like bros just having a great time together, rather than forcing romance into the dynamic in a contrived manner. That said, as this show has quite a focus on human nature, there is an element of romance there, but it’s more that the show tries to explore human emotions, sexuality, and gender, so how the relationship is handled is quite natural and interesting to watch. They both have past traumas, and I have stated in my past reviews about my disdain for “sob story backstories”— but when an anime can build upon the traumatic past with developments in the present time, it can work well. In this case, it was handled quite well in this anime to create a coming of age narrative for the protagonists, as they tried to find meaning in this mess of a world they found themselves in. The children in the nursery admittedly were quite abundant and difficult to follow along at times, but with some thought, some of them still ended up being very endearing in their own ways along with the protagonists of the outside world. Archived from the original on November 10, 2021. Retrieved November 10, 2021. ^ Mateo, Alex (November 18, 2020). "Saint Seiya Series Gets New Manga on December 19". Anime News Network. Archived from the original on November 10, 2021. Retrieved November 10, 2021. ^ 美少女の聖闘士描く新連載がREDで開幕、野上武志も登場. Natalie (in Japanese). Natasha, Inc. August 19, 2013.