spyxfamily
"One Unique
After Another" 5. "Washing Down the Good
Stuff with Kusoge" 2 December 17, 2020[22][23]978-4-06-521801-3
978-4-06-521529-6 (LE)February 23, 2021 (digital)
October 18, 2022 (print)[24]978-1-64659-948-6 (digital)
978-1-64651-483-0 (print) 6. "Two Animals on a Mission" 7. "Bird-Head & Bunny vs. Moleshark" 8. "Flying Human,
Hopping Bunny" 9. "Beware, For Thine Enemies are Legion" 10. "The Stationery-Knight Queen" 11. "The Typhoon's Eye,
Raging Inward" 12. "Things Move" 13. "Bearing Fruit" 14.
The following morning, Claire finds a ketchup bottle standing upside-down in the refrigerator, a quirk of
Assane's that she had first noticed when they were teenagers, and realizes that Alex is in fact Assane. Meanwhile, Mariama manages to escape captivity and places an advertisement in The Objector, asking Assane to meet her. Assane and his mother enjoy a happy reunion. Keller is outraged by the loss of Mariama and Ferdinand's inability to catch Claire, so he throws Ferdinand from a
balcony and decides to take care of Assane's family himself. Claire happily lies in bed, with her romantic feelings for Assane fully rekindled, but grows terrified when she hears Keller begin to break down the door of her apartment. 177"Chapter 7"Xavier GensGeorge Kay, Adam Usden, François Uzan5 October 2023 (2023-10-05) Claire hides in a closet with Raoul and throws Keller off the trail by making a call to her home phone, in which she implies that neither she nor Raoul are there and that a police officer will be visiting. Afterwards, she calls Assane and begs him to pick her and Raoul up. Assane brings Claire and Raoul to his hideout, where they meet Mariama; he promises that he will get all of them out of Paris. Assane and Mariama infiltrate the offices of the minister for the interior and steal his phone. After threatening to send the contents of the phone to the press, Assane orders the minister to let Manon out of prison. Assane finds Manon and asks her to help him catch Keller.
[25] In the meantime, he came up with the idea
that "a character more like 'me' than 'I', the protagonist, to the people around 'me' " is created on the Internet without 'my' knowledge. [16][18][19] The character is "the past me" for the protagonist, and this "other me" that should have existed only on the Internet has materialized due to external factors (the consciousness of the fans who want the protagonist to be like that) and internal factors (the protagonist's regret that she might have been more comfortable in the past). And then the composition that the character and the protagonist herself confronted emerged. [18][19] It was only then that he became convinced that this work could be established as his own video work. [18][19] Kon decided to interpret the original story above as a story about an idol girl who was broken down by a sudden change in her environment or by a stalker who targets her, and wrote a completely new script with Sadayuki Murai. [18][19] Initially, Murai wrote the first draft of the script, and Kon added or removed ideas from it. They spent a lot of time discussing, and many of the ideas came out of that. [19] Next, Kon wrote all the storyboards, where he also made changes to dialogue and other elements. [16][19] The drawing work was also
carried out in parallel. [16] The company that purchased the videogram and television rights to Perfect Blue before the film was completed advised the distributor to submit the film to the Fantasia International Film Festival in Montreal, Canada, so that it could be released overseas first. [21] Since it was his first film, director Kon was still unknown.
