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18 (2). ^ Hori, Motoko (1 June 1986). "A sociolinguistic analysis of the Japanese honorifics". Journal of Pragmatics. 10 (3): 373–386. doi:10. 17645/mac. v9i3. 4117. ISSN 2183-2439. ^ "'A new phase': from anime to J-pop, Japanese culture grows in popularity in South Korea, as new generation separates arts and politics".After she agreed, Ippo took her to the Kahuna Pasta House along with a tape recorder as Takamura, Aoki, and Kimura believed that Ippo would try to run away from his promise to them. After eating, Ippo and Kumi went into a park in the snow. Ippo attempted to confess, however he could not do it, instead telling her about his upcoming match against Sanada. Ippo then made Kumi upset and run away when he claimed that it was not her duty to cheer for him nor his right to ask her to, instead telling her to cheer for who she wants to cheer for. Ippo then returned the tape recorder to Takamura to let him hear what happen before walking out of the house emotionless. Ippo and Sanada shaking hands. Ippo continued training against the Hien by pushing the Hien's left with his right and then stepping in until the day of the weigh-in arrived. At the weigh-in, when asked for the champion's comment for the match, Ippo, who forgot he was the champion, wished to learn from the more experienced Sanada and to enter the ring with a challenger's standpoint. After Sanada reminded Ippo of the two previous holders of the JBC featherweight belt and how he should take more pride on it, the two shook hands. Walking away from the hall, due to Sanada's pectorals being more developed since his last match which are used for inward punches, Ippo and Kamogawa assumed that the Tsubame Gaeshi had something to do with hooks and uppercuts. When Ippo returns to the Makunouchi Fishing Boat, he was gifted new red boxing trunks with twelve stars for his twelve knock outs and shoes from Umezawa and Hiroko.
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