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Retrieved October 13, 2018. ^ "FEATURE: "Life is Strange" Interview and Hands-on Impressions". Crunchyroll. January 28, 2015. Archived from the original on October 14, 2018. Retrieved October 13, 2018. ^ "The most impressive PC mods ever made". TechRadar. June 14, 2018. Archived from the original on June 16, 2018. Retrieved October 13, 2018.

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Cinefantastique. 36 (1): 48. Archived from the original on April 28, 2017. Retrieved April 28, 2017. ^ Clarke, James (2012). Animated Films – Virgin Film. Random House. p. 76. ISBN 978-1-4481-3281-2. Archived from the original on February 9, 2024. Retrieved June 14, 2023. ^ 「アンデッドガール・マーダーファルス」アニー役に鈴代紗弓、キャラビジュアルも公開. Natalie (in Japanese). Natasha, Inc. April 28, 2023. Archived from the original on April 28, 2023.
To the company, there’s a simple credo to follow: whether it be about specific properties or about an entire genre’s convention, give the audience a wink. Let them know that you “get it. ”
And in the realm of anime, metacommentary also has its home. I’m not only referring to overall productions that have been regarded as having some kind of meta remarks or supposedly-deconstructive genre assertions like *Neon Genesis Evangelion,* but even the casual remarks that characters make in any kind of story, like the above quotation I left. These kinds of remarks get chuckles for the basic reason that we like to pat ourselves on the back for recognizing a pattern and having the thing we watch acknowledge it as such. Considering the sheer degree of prevalence the isekai genre has enjoyed ever since the early 2010s, no doubt because it provides publishers like Kadokawa a lot of money, it makes sense that isekai too would become susceptible to these kinds of remarks from its own works.
But *The Eminence in Shadow* makes the mistake of assuming that being meta is the same as being funny or a worthwhile piece of entertainment. Glimpsing the greater picture, or making casual reference to things that viewers would recognize, is perhaps a short-term solution. But that does not guarantee that the inner substance of the story will be able to stand on its own two feet, either. Within its audience-conscious asides, it attempts to fashion a fantastical story of Cid Kagenou, a fashions-himself-as-the-ultimate-warrior man who attempts to make the best of both worlds, so to speak. Treating his reincarnated situation as the chance to live out his ultimate fantasy, he adopts the moniker of the background everyman archetype on one hand and the “Eminence in Shadow” in the other.