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Gratuitous battle shonen cliches, a character can’t just be a demon slayer by himself, he has to be a member of a special Demon Slayer Corps full of nakamatachi with distinct silhouettes straight from Kimetsu no Yaiba. The series gets progressively more battle-shonen-esque as it goes.
The direction of the adaptation weirdly parallels the writing. It’s lacking in all but one aspect, which is the pacing. I think everyone and their mother have commented that every episode feels like it only lasts 5-10 minutes, it’s very engaging. But outside of pacing, the direction isn’t all that much. The series director is Omata Shin’ichi, a Studio Shaft graduate also known for Kaguya-sama and Shouwa Genroku Rakugo Shinjuu. You can clearly see this with the visuals of the show being full of recognizable “shaftisms,” yet those feel like mechanical surface copying without any underlying substance, especially when measured against other ex-Shaft directors such as Itamura Tomoyuki (Vanitas and Youfkashi no Uta) whose “shaftisms” look like a genuine artistic vision.
For example, the "glitchy green screen" and the "archaic wipe transition" effects are just failed "ironically bad" stylizations. Because stylizations are supposed to have style to them, there is nothing stylish about a wipe transition, anyone can do them in Windows Movie Maker, it takes no thought or effort. And wtf do green screen effects have to do with a murder mystery set in the XIX century? It's the last genre you'd expect to see CGI special effects in, there is no thematic connection, again, it's just pretentiousness.
^ Ressler, Karen (October 19, 2017). "Mob Psycho 100 Stage Play Announces More Cast". Anime News Network. Archived from the original on January 27, 2023. Retrieved September 15, 2023. ^ Sherman, Jennifer (June 15, 2018). "Mob Psycho 100 Stage Play Gets Sequel in September". Anime News Network. Archived from the original on November 20, 2022. Retrieved September 15, 2023. ^ Pineda, Rafael Antonio (July 17, 2018).
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