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But.
And this is a big but(t).
It can be viewed from a different perspective. That of a man that only cares about self-improvement and self-overcoming, that goes lightly about life and only considers stopping by to help others with their problems, a man that does not constrain his sexual urges by social and cultural rules and by which he is liberated as a pure uninhibited energy. And that's the thing, he actually never consummates that urge, perhaps oblivious to the fact that he could have done it, perhaps knowingly forfeiting it, and that's one of the reasons why I truly believe that the show has a good heart at its core. It's certainly not for everyone, and sometimes I had to pause it to actually register the absolute crazyness of certain scenes (which almost always had to do with sexual themes, like.

[82] Similarly, Ritsuko has an Electra complex, in which she loves Gendo, a sort of substitute for her father figure. [83] Anno himself stated that he identifies with Shinji in both a conscious and unconscious manner,[84] while Rei is Anno's "deepest part" and Kaworu his Jungian shadow. [85] Shinji's entering into Unit-01 has been interpreted as a Freudian "return to the womb", and his struggle to be free of the Eva as his "rite of passage" into manhood. [86] The series also contains references to philosophical and psychoanalytic concepts, such as the oral stage, introjection, oral personality, ambivalence,[87] and the death drive,[88] including elements of the works of Sigmund Freud,[89][90] Arthur Schopenhauer,[91][92] and Søren Kierkegaard. [93] Related media[edit] Main article: Neon Genesis Evangelion (franchise) Films[edit] Main article: List of Neon Genesis Evangelion movies In May 1996, Gainax announced an Evangelion film[94] in response to fan dissatisfaction with the series finale. [61] On March 15, 1997, Gainax released Neon Genesis Evangelion: Death & Rebirth, consisting of 60 minutes of clips taken from the first 24 episodes of the series and the first 30 minutes of the new ending due to production issues. [95] The second film, The End of Evangelion, which premiered on July 19, 1997, provided the complete new ending as a retelling of the final two episodes of the television series. Rather than depicting the series' climax within the characters' minds, the film provides a more conventional, action-based resolution to the series' plot lines. The film won numerous awards[96][97] and grossed ¥1. 45 billion within six months of its release. [98] Ex.

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Archived from the original on June 11, 2023. Retrieved June 11, 2023. ^ Hodgkins, Crystalyn (March 31, 2023). "Crunchyroll Confirms It Will Stream Demon Slayer: Swordsmith Village Arc Anime". Anime News Network. Archived from the original on April 7, 2023. Retrieved May 25, 2023. ^ Pineda, Rafael Antonio (May 24, 2023). "Demon Slayer: Swordsmith Village Arc Anime's English Dub Debuts on May 28". Anime News Network. Archived from the original on May 25, 2023. (September 4, 1999). "GMA to spend P40 M on millennium show - Saturday Special". Philippine Daily Inquirer. Archived from the original on May 30, 2000. Retrieved February 16, 2010. ^ "Yu Yu Hakusho - Spirit Detective - Yusuke Lost, Yusuke Found (Vol.

Technique In the same manner that Ippo holds physical dominance over most of his opponents, inversely, he notably finds himself at a disadvantage concerning textbook boxing techniques and strategies when compared to his contemporaries, such as Miyata, Mashiba and Volg. However, despite not being his forte, the vast amount of technical expertise Ippo has accrued and polished over the course of his career is undeniable. Kamogawa devising Ippo's style: "triumph over technique with raw strength!!" Even before being introduced to the Kamogawa gym, Ippo showed an early aptitude for boxing by learning on his own how to replicate the form and speed of a jab by single-handedly catching multiple fallen leaves, greatly surpassing Takamura's expectations. [90] Before turning pro, Ippo learned how to perform the many basic techniques of boxing under the tutelage of Kamogawa, and was able to surprise the experienced mentor with his proficiency for uppercuts, which were a splitting image of Éder Jofre. [91] Within a year of training, Ippo successfully accomplished his goal of becoming a professional boxer. [92] Ippo's progress in terms of technical prowess stands out and can be much more easily appreciated when he’s facing less experienced opponents. During his title defence against the high-level out-boxer Takuzō Karasawa, Ippo himself was able to masterfully predict and manipulate the actions of the rookie king in order to gain the upper hand, and was lauded by Takamura as an anti-out-boxer specialist. [93] When facing Antonio Guevara, he was able to effectively pressure the skilful champion by pulling off an anti southpaw strategy involving successive high-low feints, among other techniques. [94] Ippo was also able to come up with a technique of his own entirely from scratch, the Dempsey Roll, later on improving it to the New Dempsey Roll, which he improved further. After retiring and gaining the insight of retrospective, Ippo started to be increasingly more aware of his own flaws and the opportunities he had missed, and, even though he didn’t intend to come back, dedicated himself fully to the study of boxing in order to improve as a trainer and as a second, refining his technical and strategic understanding tremendously. While retired, Ippo added the Parry Counter to his list of weapons as it came from training his students, Taihei Aoki and Kintarō Kaneda with their combination punching with mitt practice, which even hit the active junior lightweight IBF world champion Volg.