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They must have been fans of The Legend of "Zelda" games to come up with such an absurd name choice.The moment you start trying to "figure out" AGK's issues is the moment you're "doing it wrong," so let's proceed to dispell that idea right now by asking the impossible question: what the "purpose" behind this wonderful work of artistic vandalism was.
So what was it about? An active effort to discuss subserviency in society? The oppressive consequence that occurs when "absolute power corrupts absolutely?" A tale of personal ideals clashing, resulting in bloody politics? A sobering story of discrimination?. Well, honestly speaking, no. It was about none of that. Overthinking anything that AGK does would be no different than waxing philosophical for the reason behind Patrick Star's Hawaiian shorts. There's no pretense behind AGK's actions, and as long as the viewer doesn't graft any grandiose ideas onto it, it could be enjoyed for what it truly is: schlocky, over-the-top deaths with shounen characters that had the stylistic sensibilities of a seinen but the emotional authority of a 15-year-old's wet dream.
And you know what? That's just fine. I sure had fun watching it.
It's one of the first shows of the over 300 that I watched that I wanted to discuss in-depth and engage with on all levels. And I know for a fact that it wasn't just me that felt this way, because it has truly become one of the most popular anime in Japan.
I honestly cannot predict how enjoyable this show will be outside of the special environment that existed while it was airing. Thousands of fans, albeit mostly Japanese (luckily, I understand Japanese!), came together week after week to theorize and enjoy the wonderful world of Japari Park. You might not be able to get over the art or voice acting and that's fair. But watching Kemono Friends is the most special experiences I have ever had in my life-long anime career.