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[27] Some research has suggested that the "beauty premium" for a job largely
depends on whether or not attractiveness could potentially enhance productivity, such as those jobs which require substantial interpersonal interaction, while jobs that do not demand this see minimal or no beauty premium. [28] Men show a strong preference for physical attractiveness over intelligence when choosing a mate, as shown in a study conducted over data from a speed dating experiment. [29] In a study with 4,573 adult participants it was shown that physical attractiveness is the most valued quality in women, even when considered outside of the context of mate selection. [30] Research indicates that more attractive individuals are at greater risk of being a victim of crime due to being involved in more social interaction, increasing their risk of exposure. Greater physical attractiveness can also lead individuals to be at greater risk of sexual abuse, regardless of gender. [31] Ethics[edit] In the article "Is Lookism Unjust", Louis Tietje and Steven Cresap discuss when discrimination based on looks can legitimately be described as unjust. [32] Tietje and Cresap quote evidence that suggests there exists "a 7–to–9 percent 'penalty' for being in the lowest 9 percent of looks among all workers and a 5 percent 'premium' for being in the top 33 percent". While accepting that the evidence indicates that such discrimination does occur, the authors argue that it has been pervasive throughout history and that judgments of aesthetics appear to be a biological adaptation (rather than culturally conditioned) to aid reproduction, survival, and social interaction, allowing people to determine viable mates (level of attractiveness being indicative of health) and the status of others as "friend or enemy, threat or opportunity". The authors also argue that if physical attractiveness can improve a company's success, then awarding people for it is justifiable, as the trait is thus relevant to the job and discrimination only occurs when irrelevant traits are used. In addition, the authors question the practicality of both
redressing any injustices based on lookism and of determining whether such injustices have in fact occurred. Thus the authors conclude that there can be no clear model of injustice in such discrimination, nor would legislation to address it be
practicable – "We do not see how any policy interventions to redress beauty discrimination can be justified.
Unfortunately, Tomoe's feelings for Sakuta cause the last day of their relationship to repeat itself. Sakuta confronts Tomoe about her feelings, which she confesses but ultimately he turns her down. Even so, they agree to be friends. Rio Futaba (双葉 理央, Futaba Rio) Voiced by: Atsumi Tanezaki[7] (Japanese); Jenny Yokobori[8] (English) The focal character of the third light novel, Rio is the sole member of the science club at Sakuta and Mai's high school and one of Sakuta's only friends. She initially believed Adolescence Syndrome is a myth until she suffers it herself. Due to lacking confidence in her appearance, a clone of hers appears with a different personality and who posts suggestive pictures of herself online to punish herself. The two Rios merge into one person again when Sakuta helps them both accept themselves and the friendships they have made. Nodoka Toyohama (豊浜 のどか, Toyohama Nodoka) Voiced by: Maaya Uchida[7] (Japanese); Cristina Vee[8] (English) The focal character of the fourth light novel, Nodoka is Mai's half-sister and a member of an idol group. She swapped bodies with Mai due to her inferiority complex, but swapped back after realizing that she did not have to be exactly
like Mai. The half-sisters only return to normal after reconciling.
Kaede Azusagawa (梓川 かえで, Azusagawa Kaede) / Kaede Azusagawa (梓川 花楓, Azusagawa Kaede) Voiced by: Yurika Kubo[7] (Japanese); Kayli Mills[8] (English) Sakuta's younger sister and another victim of Adolescence Syndrome, Kaede mysteriously began to suffer injuries after suffering online bullying and getting death threats on her cellphone that left her with a phobia of strangers.
Avec Seiji Ozawa, un des chefs d'orchestre les plus charismatiques du XXe siècle vient de s'éteindre, mardi 6 février à son domicile à Tokyo. Même lorsque sa tignasse noir de jais était devenue. MusiqueRie Takahashi (Ai Hoshino) reprend la chanson Idol (Oshi no Ko)
02/02 : Ce 2 février 2024 a été dévoilée, via le
compte YouTube dédié à l'anime Oshi no Ko, une nouvelle vidéo ; il s'agit d'une cover de l'opening de la première saison, "Idol", interprétée ici par Rie Takahashi, qui prête sa voix à Ai Hoshino dans la version japonaise. MusiqueKisora Niinuma quittera Tsubaki Factory et le monde du divertissement au printemps 2024
27/01 : À peine quelques mois après les départs de Riko Yamagishi et Yumeno Kishimoto, l'actuel leader de Tsubaki Factory, Kisora Niinuma, vient d'annoncer son départ du groupe et du Hello! Project. La date de son départ n'est pas encore connue
mais son dernier concert sera pour la fin de la tournée de printemps 2024. À l'inverse de ses anciennes collègues, Kisora ne continuera pas dans le monde du di. MusiqueTatsuya Ueda sortira son premier mini-album en streaming
24/01 : Tatsuya Ueda, membre du groupe KAT-TUN, publiera sur les plateformes d'écoute son mini-album "Gillist!" le 7 février prochain.