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About. com. Archived from the original on 28 March 2013. Retrieved 23 July 2022. ^ a b c Carl, Kimlinger (9 February 2007). "Monster GN 5 – Review". Anime News Network. Archived from the original on 5 July 2020. Retrieved 28 July 2013. ^ Carl, Kimlinger (27 September 2007). "Monster GN 8–9 – Review".

[48] Carlo Santos, also for Anime News Network, called Monster "a one-of-a-kind thriller" and suggests that one of the most overlooked qualities of it is that "amidst all the mystery and horror, there are moments of love and hope and all the good things about humanity. "[49] Though she praised the manga for its "cinematically precise" art, never confusing the reader, and making each person visually distinct despite the large cast of characters,[50] Casey Brienza from the same website felt that too much time was spent developing minor characters "who are likely to be dead or forgotten just a few dozen pages later," and that the series' ending "went out with a whimper. "[50] Brienza noted that "there is nothing satisfactory ever revealed to fully account for [Johan's] supremely scrambled psyche," but concluded that as long as the reader does not look for "deep meanings or think too hard about whether or not it all makes sense in the end" they will enjoy it. [51] Leroy Douresseaux of Comic Book Bin, praised Monster's finale and wrote that the manga is "worth reading again and again. It's perfection". [52] Anime[edit] THEM Anime Reviews called the anime adaptation "complex" and "beautiful", stating that it features "sophisticated storytelling and complex plot weaving, memorable characters, godly production values and excellent pacing".

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Amidst all of these very particular choices, the main takeaway I had was that amongst every character with some sort of grab bag superpower, two of them serve as hypothetical prophets, able to broaden new horizons and topple the domain of multiple worlds. One of them uses this power in service of trying to solve the mystery, and the other is tempted to use the power by a walking pair of boobs that serves a similar purpose to the snake in the story of Adam and Eve.
This is the most consistent plotline I could find among the show’s roughly 4 hours of runtime, because the show likes to do something new every episode, yet ardently refuses to provide an anchor for the audience to take in the info before switching to another scene. The sense I get from Sonny Boy’s plot is that it WANTS to be a coming-of-age story. The world beyond highschool could be mysterious, unknowing, and in constant flux with deadly situations making headlines every day in real life now. Sonny Boy’s main characters are primarily near the end of high school, and the show uses their powers to represent some form of change they will or have undergone. One character’s power is deliberately ironic relative to their anxiousness at what life actually has in store for them. One episode ties the thread between school and concentration camp in a similar but more subdued vein to Pink Floyd’s The Wall. Twice amidst all the exposition, it’s paraphrased that having the opportunity to decide your own future, and not have it manipulated by others, is the best way to hope to make it through life.
I understand the intention for that demographic, but as I currently see Sonny Boy, much of the characterization is too loose and confusingly dolled out for any growth to be truly meaningful.
Take Nagata himself, the main character. He concluded that My Hero Academia was a difficult series to dislike, making it as the "real joy to read" by executing on the author's ideas and enough nerve and twist. [265] Sean Gaffney from A Case Suitable for Treatment referred to the art as "smooth" and complemented how it flows with the action. Gaffney also praised the story, characters, and fight scenes, stating that the story flows nicely with each of their individual personalities, while the fight scenes look smooth and non-confusing. [266] In a review of the second volume, Leroy Douresseaux from Comic Book Bin also praised the story, specifically the way it tells comedy and drama. He also compared the series to the other superhero works like Tiger & Bunny and One-Punch Man, stating that My Hero Academia proves that "manga can do superhero comic books that are every bit as imaginative as American superhero comics". [267] Manga Bookshelf praised the first volume for its art, saying that it demonstrated Horikoshi's skill very well, though criticizing it for having too much narration at some points.
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