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These include helping Jeremiah grow oranges, racing against C. C. and Shirley in swimming, and a side-scrolling beat-em-up featuring Kallen in Guren-like armor. [citation needed] Code Geass R2 appeared in From Software (Demon's Souls, Armored Core) and Banpresto's PlayStation 3 exclusive mecha action game Another Century's Episode R, released in Japan in August 2010 and in which both versions of Suzaku's Lancelot, Lelouch's Shinkiro, both versions of Kallen's Guren, and C. C. 's Akatsuki are playable.

^ Pineda, Rafael Antonio (August 12, 2020). "Books Kinokuniya Sydney: 7 Manga Were Removed Due to Ongoing Classification by Australian Board". Anime News Network. Archived from the original on March 16, 2022. Retrieved March 16, 2022. External links[edit] Official light novel website at GA Bunko (in Japanese) Official manga website at Monthly Big Gangan (in Japanese) Official anime website (in Japanese) Goblin Slayer (light novel) at Anime News Network's encyclopedia vteMonthly Big Gangan seriesCurrent Shiori Experience (2013) Tales of Wedding Rings (2014) Goblin Slayer (2016) The Apothecary Diaries (2017) Reincarnated as the Daughter of the Legendary Hero and the Queen of Spirits (2018) The Vexations of a Shut-In Vampire Princess (2021) Smoking Behind the Supermarket with You (2022) Goblin Slayer: Day in the Life (2022) Übel Blatt II: Shiseru Ō no Kishidan (2024) 2010s Hi Score Girl (2010–2018) Servant × Service (2011–2014) Übel Blatt (2011–2019) Scum's Wish (2012–2017) My Youth Romantic Comedy Is Wrong, as I Expected -Monologue- (2012–2023) ACCA: 13-Territory Inspection Dept. (2013–2016) Akame ga Kill! 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(2013) Murciélago (2013) Rooming with a Gamer Gal (2014) Living With My Brother's Wife (2015) Goblin Slayer Side Story: Year One (2017) Dead Mount Death Play (2017) My Dress-Up Darling (2018) Goblin Slayer Side Story II: Dai Katana (2019) My Awkward Senpai (2019) The Executioner and Her Way of Life (2020) 2000s Arakawa Under the Bridge (2004–2015) Astro Fighter Sunred (2004–2014) Bamboo Blade (2004–2010) Black God (2004–2012) Sekirei (2004–2015) Sumomomo, Momomo (2004–2009) Übel Blatt (2004–2009) Manhole (2004–2006) Working!! 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(2015) Re:Zero − Starting Life in Another World (2016) Matoi the Sacred Slayer (2016) Grimoire of Zero (2017) Girls' Last Tour (2017) Steins;Gate 0 (2018) Goblin Slayer (2018) Arifureta (2019) Cautious Hero: The Hero Is Overpowered but Overly Cautious (2019) Re:Zero − Starting Life in Another World 2nd Season (2020–2021) Utawarerumono: Mask of Truth (2022) Sengoku Youko (2024) OVA/ONAs Steins;Gate: Egoistic Poriomania (2012) DPR: Dual-frequency Precipitation Radar (2013) Steins;Gate: Sōmei Eichi no Cognitive Computing (2014) Steins;Gate: Open the Missing Link (2015) Utawarerumono: Tusukuru-kōjo no Karei Naru Hibi (2018) Re:Zero − Starting Life in Another World: Memory Snow (2018) Steins;Gate 0: Valentine's of Crystal Polymorphism -Bittersweet Intermedio- (2018) Re:Zero − Starting Life in Another World: The Frozen Bond (2019) Arifureta (2019–2020) Feature films Steins;Gate: The Movie − Load Region of Déjà Vu (2013) Peacemaker Kurogane: Belief (2018) Peacemaker Kurogane: Friend (2018) Goblin Slayer: Goblin's Crown (2020) Video games Steins;Gate Elite (2018) Related OLM, Inc. 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[3][4] He also wanted to create a character that closely resembled the character Agon Kongo from his own manga serialization Eyeshield 21 in terms of personality and characteristics and felt that it was appropriate for the chosen setting. [5] Inagaki was personally fascinated by the topic of science as a child and sought to create a science-based story for entertainment purposes that also featured common themes and messages that would be compelling for the audience. [3] In regards to influences, Inagaki stated that Video Girl Ai was a series that had a significant impact on the story's development. [3] Inagaki works remotely with his illustrator Boichi in which the former sends his own created storyboards to the latter through his own editor. [4] By the time the pair began working on the series, Inagaki was already quite familiar with Boichi's work as an artist and initially struggled with expressing his ideas for his collaborator to illustrate, often times being uncertain about how to draw some of Senku's inventions and how to make them feel impressive. [6] While developing the setting for the series, Boichi grew captivated imagining how to create the look of a futuristic Japan set 3700 years after humanity had turned to stone. He settled upon the idea of creating a vast beautiful world in which Japan's nature was left untarnished due to the loss of humanity's influence. [6] When asked about scientific accuracies, Inagaki revealed that both himself and Boichi have conducted research into the subject during the development of the series while also receiving help from a consultant. [6] Adaptation[edit] Director Shinya Iino expressed that one of the challenges with adapting the series into animation was determining how the backgrounds would appear in a different medium. He would go on to state that Boichi had provided his assistance by sending his own rough sketches as a way to facilitate the adaptation process. [7] Iino would also state that the theme of science, featured in the story, captured his attention, as it was not a theme that was featured in many other shōnen manga series. [145] In 2010, Mania. com's Briana Lawrence listed Hunter × Hunter at number nine of the website's "10 Anime Series That Need a Reboot". [146] Critical reception for the first Hunter × Hunter television adaptation has been generally favorable. Miyako Matsuda of Protoculture Addicts, Carl Kimlinger of the Anime News Network (ANN), and Derrick L. Tucker of THEM Anime Reviews all expressed positive views of the series' narrative and characters. [3][49][147] Matsuda admired the adventure-filled world of Hunter × Hunter and the practical character qualities of friendship, effort, and victory inserted by Togashi. [3] Beginning with the second Viz DVD volume, Kimlinger summarized, "Togashi's plotting is canny and occasionally insightful and Furuhashi's visuals inventive yet attuned to the measured pacing of the series. Together they create a shonen action series that is both fun to watch and curiously respectful of its audience's intelligence. A strange combination indeed. "[49] Tucker admitted to being "bewitched" by the series mainly due to the remarkable and original characters, especially the interplay between the vastly different personalities of the Phantom Troupe members. [147] Kimlinger gave particular praise to the characteristics of the complex villain Hisoka and the deep, emotional transformation of Kurapika in the latter half of the series.