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You have Mine the tsundere, Bulat the "Aniki" type. Shelle the klutz, Leone the "Onee-san" type, Lubbock the perverted guy, and Akame, the cold assassin. Now considering the show has Akame's name in the title. You would expect Akame to be one of the most important characters of the show. Sadly, the only background we do get to know about Akame is her backstory. She didn't seem to have much development and emotions except for a few scenes.

23 million). [25] As of December 26, the film has grossed US$771,945 in Australia. [78] and US$95,278 in New Zealand. [79] On a December 20 blog post, the Australian distributor Madman stated that the film had made over AU$1,000,000 in the Australian box office alone before closing its limited release run. [80] In the United States and Canada, the film grossed $5,017,246. [81] In the United Kingdom, it grossed £500,000 ($675,000) in 2016, making it the year's fifth highest-grossing non-English and non-Hindi film in the UK.

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It emphasizes that war is society's failure to perform its most important duty: to protect its own people. [26] However, Takahata repeatedly denied that the film was an anti-war film. In his own words, it "is not at all an anti-war anime and contains absolutely no such message". Instead, Takahata had intended to convey an image of the brother and sister living a failed life due to isolation from society and invoke sympathy particularly in people in their teens and twenties. [27][28] Since the film gives little context to the war, Takahata feared a politician could just as easily claim fighting is needed to avoid such tragedies. In general, he was skeptical that depictions of suffering in similar works, such as Barefoot Gen, actually prevent aggression. The director was nevertheless an anti-war advocate, a staunch supporter of Article 9 of the Japanese Constitution, and has openly criticized Japan's penchant for conformity, allowing them to be rallied against other nations. He expressed despair and anxiety whenever the youth are told to fall in line, a reminder that the country at its core has not changed. [29] Despite the public's emotional reaction, Takahata expressed that the purpose of the film was not to be a tragedy or make people cry. [30][31] Moreover, he regretted depicting Seita as a boy from that era because he wanted him to come off as a contemporary boy who acted like he had time-traveled to the period. He didn't intend for it to be retrospective or nostalgic. Just register and give it a try. (Note: There are only French subtitles available and strangely enough, it seems they don’t work for all movies. But again, just give it a try. It’s totally risk-free since you don’t have to subscribe if you don’t want to.