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03) 27. "Abduction, March 1988" (誘拐の条件 1988. 03, Yūkai no Jōken 1988. 03) 28. "Welcome Home, March 1988" (おかえりなさい 1988. 03, Okaerinasai 1988.

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[86] A fan of the manga, Jamie S. Rich of DVD Talk felt too much had to be cut to fit three films, with the development of characters suffering as a result. He did comment on how close the actors looked to their comic book counterparts and ultimately recommended the film. [87] In an opposite view, both The Guardian's Cath Clarke and Time Out London's Trevor Johnston gave the first film two out of five stars and cited the faithfulness to the manga as a negative, feeling that some of the material could have been cut. [88][89] Charles Webb of Twitch Film voiced similar criticism in a review of the second film. However, he praised the character Friend and Etsushi Toyokawa's performance as Occho, as well as the ending that makes the viewer anticipate the final installment in the trilogy. [90] Jamie S. Rich also felt that the second movie "more than fulfills its prime directive of enticing me to stick around" for the final film. [91] On the third film, Burl Burlingame of the Honolulu Star-Bulletin wrote, "The steam seems to have run out of the franchise during this third part, and it's simply an OK capper to the series", but praised the special effects. [92] Variety's Russell Edwards also cited the special effects in the final installment as the best in the trilogy. [93] Notes[edit] ^ It started in the magazine's 44th issue of 1999,[28] released on October 4 of that same year. It overlaps with Ishiguro's statement that he is drawing delusions. At the end of the first volume, many of the plot threads have been laid out but in order to maintain the mystery theme, a few events are directly foreshadowed. [20] Themes[edit] When he started writing the series, Ishiguro felt a certain discomfort about what was happening in Japan. It seemed to be around 2017–2018 when Japan was looking for flaws in its governance in the run-up to the 2020 Summer Olympics. He experienced déjà vu because of the scandal with the empty New Year's food. At that time, there were earthquakes and tsunamis that stripped people of all their habits. Sensing an ominous similarity between that time and present, he wanted to convey the sense of threat that society increasingly felt. The credo of the series is to be cautious, or else they may encounter something truly terrible. The character of Totori was also written to prove that people who can easily be seen as villains are important to others, making her sad knowing of the gang leader's death. [16] Ishiguro does not remember exactly when the idea came to that a girl's body contained the brain of her younger brother, but it was a series of sound considerations from which he understood that this is the story he wanted to tell. He has always been inspired by stories of brothers and sisters, so he wanted to create his own story about a brother and sister swapping places, where the brother takes care of the sister.