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He saves Subaru’s life in one episode, while in the previous episode he wanted to kill everyone. Why are they not complaining about that getting lost, hm?
And I’ll be damned, what happened to normal traveling? Subaru is now teleporting out of nowhere in weird places. It’s like the author doesn’t know how to make him go there normally and has to use cheap magic so whatever shit he has in mind can happen in any way he likes. Thank goodness these powers are not broken because they would make the MC not to come off as a normal person.
There is a part where Subaru is in a fictional version of his real life back home and we are supposed to think he, supposed, realizes he is not special and, supposed, becomes a better person. Which is obviously a lie, since this is far from the first time Subaru realizes he is not special. It happens every few episodes, when things don’t go his way and he ends up crying on the lap of a waifu. Saying he just realized it now is a lie, because he constantly does before forgetting it and going back to thinking he is special for another three episodes. Rinse and repeat. Also, the scenes with his parents had no build up. This is the first time we see them and therefore there is little gravity behind what is going on.

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6 onwards, where Nana Komatsu is referred to by her nickname, Hachi. [5] References[edit] ^ a b "The Official Website for Nana". Viz Media. Archived from the original on January 28, 2021. Retrieved December 7, 2017. ^ Aoki, Deb. "Interview: Takehiko Inoue". About. com. Archived from the original on March 3, 2016. Retrieved September 6, 2022. [13]: 10–11 In 2001, the Sailor Moon manga was Tokyopop's best selling property, outselling the next-best selling titles by at least a factor of 1. 5. [141] In Diamond Comic Distributors's May 1999 "Graphic Novel and Trade Paperback" category, Sailor Moon Volume 3 was the best-selling comic book in the United States. [142] Academic Timothy J. Craig attributes Sailor Moon's international success to three things. First was the show's magical girl transformation of ordinary characters into superheroes. Second was the ability of marketers to establish the international audience's connection to characters despite their culture being Japanese. The third was that the main superhero was female, something which was still rare in pop culture in countries like the United States during the 1990s. [143] In his 2007 book Manga: The Complete Guide, Jason Thompson gave the manga series three stars out of four. He enjoyed the blending of shōnen and shōjo styles and said the combat scenes seemed heavily influenced by Saint Seiya, but shorter and less bloody. He also said the manga itself appeared similar to Super Sentai television shows.