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He views everyone else as insects compared to him and sees them as "the weak". He believes that everything should be obtained with pure strength alone and therefore does not believe in using weapons. He considers his body as the ultimate weapon, which proves to be more effective and deadly than any other weapon or technology. Since his fight with Baki went viral, Yuujirou was annoyed that he had gained unwanted fans and has referenced several young children asking for his autograph since the fight. Despite being wrathful, Yuujirou is surprisingly patient and almost always keeps his cool. He is stoic most of the time, often speaking only what is needed and even just what is necessary.

Nina, now aware of her past, slips away from Tenma. Inspector Lunge examines the scene, and finds a necktie that he suspects belonged to Tenma. 08"The Fugitive"
Transliteration: "Owareru Mi" (Japanese: 追われる身)Ryōsuke NakamuraTatsuhiko UrahataMay 26, 2004 (2004-05-26)November 2, 2009 Tenma returns to work at the hospital in Dusseldorf. Meanwhile, Lunge questions Eva, now a three-time divorcee, about the necktie he found at the murder scene, but she denies ever seeing it. Eva then pleads with Tenma to take her back, but he refuses and Eva threatens to turn him over to Inspector Lunge as she gave the necktie to Tenma years earlier. With the police on his tail, Tenma is forced to flee and he recalls the events that have led to his current situation.

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Numerous small fires are started, however they are relatively easy to extinguish. Nina finds and rescues Dieter, and Heckel who says the main fire will most likely be set near the wharves. At the river, Nina and Dieter find a neo-Nazi in a chemical warehouse, ready to start a blaze, but Dieter manages to extinguish the fuse by using a valuable carpet Heckel stole from a Turkish store. Later, as Tenma leaves to find Johan, Nina reveals that Johan is not one person because he has a split personality. 18"The Fifth Spoonful of Sugar"
Transliteration: "Gohaime no Satō" (Japanese: 五杯目の砂糖)Shigetaka IkedaTatsuhiko UrahataAugust 4, 2004 (2004-08-04)December 14, 2009 Mr. Rosso, the owner of an Italian restaurant where Nina used to work as Anna Liebert, picks her up after questioning by police. She recalls the time she spent working in the restaurant and took marksmanship lessons in the afternoons. When challenged by Nina, Rosso admits that he used to be a professional assassin. She leaves and continues her search for Johan. 19"The Monster's Abyss"
Transliteration: "Kaibutsu no Shin'en" (Japanese: 怪物の深淵)Hiroshi AoyamaTomomi YoshinoAugust 11, 2004 (2004-08-11)December 21, 2009 Searching for an insight into Johan's personality, Tenma visits Dr. Rudy Gillen, a fellow student and academic rival at University who is now a practicing criminal psychoanalyst. Retrieved September 19, 2015. ^ TVアニメ『ワンパンマン』先行上映会を開催しました!. One-Punch Man (in Japanese). September 7, 2015. Archived from the original on August 12, 2016. Retrieved June 5, 2018. ^ Hodgkins, Crystalyn (September 24, 2015). "One-Punch Man Manga's 10th Volume Listed With OVA". Anime News Network. Archived from the original on September 25, 2015. Retrieved September 24, 2015.

Imagine Eren as Shia Labeouf, and Shingeki no Kyojin as a typical summer blockbuster by Michael Bay. Eren zips around the scenes of the movie, fighting bad-guys and pulling off amazing stunts with beautifully rendered graphics and an amazing ost- but then hardcut to Eren getting mad at himself and people around him but not actually advancing the plot for 1/3rd of the movie as the action grinds to a halt. Add some comedic relief (if you want a Bay comparison, the classic transformers out of place masturbation joke fits well) including possibly some potatoes after a traumatic scene and then slap on the illusion of having a deep plot and you have Shingeki no Kyojin. It's a typical summer blockbuster! You go in, watch it, enjoy it, then leave and forget about it! I'm really not saying you're not allowed to enjoy it because it's shallow and noisy, I'm just saying you shouldn't walk in expecting a revolutionary masterpiece of anime- which is what some critics are raising it up to be.
STORY- 4 : The story's foundations are put up well, but the actual progression falls flat as no questions are ever really answered and the plot never seems to want to go in a single direction.
ART- 9 : The art is amazing! There are some worse-off scenes and some animation glitches, but the art is one of the things that makes Shingeki no Kyojin stand out from the crowd.