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Infighting is shown, and then gives way for more existential comprehension of what it means to evolve and live where you are. Entire sections of exposition are stated to present subjects invisible in the moment. Some characters will have focus for entire episodes and then be discarded from relevance. Growth will be suggested through dialogue, but all the introspection is reserved for the show’s main mystery.
Amidst all of these very particular choices, the main takeaway I had was that amongst every character with some sort of grab bag superpower, two of them serve as hypothetical prophets, able to broaden new horizons and topple the domain of multiple worlds. One of them uses this power in service of trying to solve the mystery, and the other is tempted to use the power by a walking pair of boobs that serves a similar purpose to the snake in the story of Adam and Eve.
This is the most consistent plotline I could find among the show’s roughly 4 hours of runtime, because the show likes to do something new every episode, yet ardently refuses to provide an anchor for the audience to take in the info before switching to another scene. The sense I get from Sonny Boy’s plot is that it WANTS to be a coming-of-age story. The world beyond highschool could be mysterious, unknowing, and in constant flux with deadly situations making headlines every day in real life now. Sonny Boy’s main characters are primarily near the end of high school, and the show uses their powers to represent some form of change they will or have undergone. One character’s power is deliberately ironic relative to their anxiousness at what life actually has in store for them.

None of this is horrible, not even the infamous episode 15 barring a few terrible sequences, but it does show that the production is a tad uneven. As for the character designs, at least for most of the main duo, they’re fairly attractive and mostly on-model barring a few stylistic changes throughout episodes and fight scenes (which are as hit or miss as the episodes themselves). Most of the secondary and tertiary characters are not very distinct or interesting and suffer from off-model syndrome a tad more, but it’s never anything heinous. As for the designs of the demons that are slain throughout the show, the only interesting ones were the ghost foxes that appeared halfway into the show, as well as a possessed horse near the end of the show. I also like the monochrome aesthetic, as it complements the atmosphere and designs of the show, especially when the animation kicks into high gear. It’s probably one of MAPPA’s more well-produced titles, even if nothing here is especially exciting.

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Additionally, it seems you can never learn other peoplet's techniques unless they are your family. Most people I talked about are just kids, because for some reason adults don't play football in this universe, except Endou's grandfather. The story detail holes are uncountable. The only true value of the story I caught that is still too common is to fight for your dreams, but it's just said by a main character who wants football to live forever, his argumenting is too simple anyway.
2. Art 3/10.
Every scene outside of kicking the ball is going to be so lazy, without deeper object details. Like I would really recommend this anime to people who has never watched anime to show that Japanese artists are different from old american cartoons' artists. Remember this: soccer field = high quality and creativity, any other field = culturally known anime tropes. You may say 'hey maybe art then isn't that bad? Just skip to football match', well the minus about soccer field scenes is that the magical techniques I mentioned before have names, and for magical techinque to work, users have to scream technique's name out loud and have exactly THE SAME animation and camera angles when they perform them! This fact just makes serious people look away from the screen the 4th time they see the same animation. If they didn't put high quality into these techinques then I would have to put 2/10 for art. ^ 軍國主義復活?/進擊的巨人 引發韓日論戰. The Liberty Times. Taipei. June 12, 2013. Archived from the original on June 25, 2013. Retrieved June 27, 2013.