capitaine tsubasa
[18][19] Kon decided to interpret the original story
above as a story about an idol girl who was broken
down by a sudden
change in her environment or by a stalker who targets her, and wrote a completely new script with Sadayuki Murai. [18][19] Initially, Murai wrote the first draft of the script, and Kon added or removed ideas from it. They spent a lot of time discussing, and many of the ideas came out of that. [19] Next, Kon wrote all the storyboards, where he also made changes to dialogue and other elements. [16][19] The drawing work was also carried out in parallel. [16] The company that purchased the videogram and television rights to Perfect Blue before the film was completed advised the distributor to submit the film to the Fantasia International Film Festival in Montreal, Canada, so that it could be released overseas first. [21] Since it was his first film, director Kon was still unknown. Therefore, the distributor introduced the film as the first directorial effort of a disciple of Katsuhiro Otomo, the creator of Akira, which had already become a hit overseas. [21] Otomo is credited as a planning collaborator, but he never arranged for the company to ask Kon to direct the film, nor was he involved in the film. However, it seems that Otomo once advised the original author about the circumstances of the animation industry when he was touting around the animation project here and there. [18][19] At Fantasia, the film was so well received that a second screening was hurriedly arranged for those who could not see it, and it was eventually voted by the audience as the best international film.
#03". Mania. com.
Archived from the original on May 8, 2009.
Retrieved June 28, 2020. ^ a b Briscoe, Daniel (October 16, 2013).
by traveling into it, or being magically summoned into it). [2] In "reincarnation into another world" stories, the protagonist is sent into another world after dying in the real world. A common method of death is being run over by a truck and dying, spawning the meme of "Truck-kun", a truck which appears in many isekai series that kills the protagonist and the protagonist
reincarnates into a different world. [3] In many examples, the main character is an ordinary person who thrives in their new environment thanks to modern things in the real world being seen as "extraordinary" in the other world. This can be physical characteristics, such as hair or eye color, or normal everyday skills they learned in their previous life such as cooking, engineering, basic education, or medicine, which are far more advanced in the modern, real world than in the world they are sent to. [4] In Sorcerous Stabber Orphen, an entire population of humans appear in the magically created world, transported from Earth, and are partially mixed with local dragonlike Heavenly Beings. [5] While the protagonist of a classic isekai work is usually a "chosen hero", there have been a number of alternative takes on the concept. One trend is the protagonist reincarnating into the body of an unimportant side character, or
even a villain (as in My Next Life as a Villainess: All Routes Lead to Doom! and Villainess Level 99). Another is being transported to another world without dying, such as in How a Realist Hero Rebuilt the Kingdom, Battle Girls: Time Paradox, and Kuma Kuma Kuma Bear. In some works, the protagonist is an adult reincarnated in a new world as a child with special powers (such as in Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Chronicles of an Aristocrat Reborn in Another World, and Fluffy Paradise), or is reborn in a new world with special powers, but no changes to their appearance (such as in In Another World with My Smartphone and Farming Life in Another World). There are even instances of protagonists becoming inhuman creatures, such as in That Time I Got Reincarnated as a Slime, where the protagonist reincarnates as a slime with special abilities rather than a human; I've Been Killing Slimes for 300 Years and Maxed Out My Level, where the protagonist reincarnates as an immortal witch; or even sentient objects with magical abilities, such as a sword, a vending machine, or an onsen.
