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[8] The characters had no models, except Jotaro Kujo, who was based on Clint Eastwood. Araki stated that he wanted to try a different type of main character for every part; for example, Part 1's Jonathan Joestar was a serious and honest person, whereas Part 2's Joseph Joestar was a trickster. [9] Although their personalities are different, the two share a physical resemblance in order to have some continuity because it was unheard of in the 1980s for a main character to die in a Weekly Shōnen Jump series. [10] Araki's consistent focus on the Joestar family was intended to give a feeling of pride as well as the wonder and mystery surrounding the lineage. [9] Araki originally planned the series as a trilogy, with the final confrontation taking place in present-day Japan. However, Araki did not want Part 3 to be a tournament affair, which was popular in Weekly Shōnen Jump at the time, and therefore decided to make it a "road movie" inspired by Around the World in Eighty Days. [11] With Part 4, Araki said that he moved away from "muscle men" as they fell out of popularity with readers and he wanted to focus more on fashion. When designing his characters' outfits, Araki considers both everyday fashion and "cartoonish, bizarre clothing that would be impractical in real life". [12] For Part 6, Araki wrote a female protagonist for the first time which he found complicated, but also interesting due to the humanity she could possess. [13] He later described Part 2's much earlier supporting character Lisa Lisa as fresh and "unheard of" in both manga and society in general for its time, and said it was exciting to challenge people's expectations with the female warrior-type. [6] Having not specifically set out on creating a disabled character, Araki explained that Part 7's paraplegic Johnny Joestar was a natural result of wanting to show a character who could grow, both physically and mentally, during a race where "he would be forced not only to rely on other people, but horses as well.Mais cet abonnement représente aussi une contribution pour aider l’industrie de l’animé japonais à produire plus. Anime Digital Network est un site multiplateforme qui offre plus de 6000 épisodes en HD. Malheureusement, la qualité de traduction d’ADN a fait l’objet de beaucoup de critiques par les abonnés. En raison de cette mauvaise qualité de traduction, ADN occupe la dernière place du classement des sites payants pour animés en VOSTFR.
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