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Caitlyn convinces Ekko to return the gemstone to Piltover, but Vi parts ways with them to find Jinx. Marcus stops Ekko and Caitlyn at the blockade, shoots Ekko, and prepares to kill Caitlyn. Seeing this, Vi runs back to help her. Envious of Caitlyn, Jinx detonates robotic insects on the bridge, killing Marcus and his enforcers. Ekko and Jinx face off as Vi and injured Caitlyn flee to Piltover. Ekko bests her in a fight but hesitates to deliver the final blow, allowing Jinx to detonate a grenade near them. 8"Oil and Water"Pascal Charrue & Arnaud DelordBen St. John & Mollie St. JohnNovember 20, 2021 (2021-11-20) Silco finds the heavily injured Jinx in the explosion's aftermath and sees that she managed to steal back the gemstone. He takes her to Singed to heal her wounds. As Jinx endures Singed's treatment, she hallucinates that it is Vi and Caitlyn inflicting the pain.

^ Kim, Yu-jin (July 27, 2020). 윤경호, '지금 우리 학교는' 출연. '완벽한 타인' 이재규 감독과 재회 [공식입장] [Yoon Kyung-ho to appear in 'Now At Our School'. Reunion with 'Perfect Other' director Lee Jae-gyu [Official Position]]. Xports News (in Korean). Archived from the original on January 31, 2022.

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The number of Angels was reduced to seventeen instead of the original twenty-eight; the writers also changed the story's ending, which had originally described the failure of the Human Instrumentality Project after an Angel attack from the Moon. [33][48] Not only did the series suffer from scheduling issues, but according to Anno, despite Gainax being the lead studio for the series, the company itself had inadequate materials and staff for the full production of the series. Only three staff members from Gainax were working on the series at any given time, and the majority of the series' production was outsourced to Tatsunoko Production. [49] Starting with the sixteenth episode, the show changed drastically, discarding the grand narrative concerning salvation for a narrative focusing more closely on the individual characters. [50][51] This change coincided with Anno's development of an interest in psychology after a friend lent him a book on mental illness. [52] This focus culminated in the two final episodes which were filmed from a completely introspective perspective. [12] Necessity forced Anno to abandon the script of the twenty-fifth episode to work with a new one. [53] These episodes feature heavy use of abstract animation,[54] flashbacks,[55] simple line drawings, photographs[56] and fixed image scenes with voice-over dialogue. [57] Some critics speculated that these unconventional animation choices resulted from budget cuts,[58] but Toshio Okada stated that it wasn't only a problem of schedule or budget, since Anno "couldn't decide the ending until the time came. That's his style". [59] These two episodes sparked controversy and condemnation among fans and critics of the series. Retrieved 19 January 2021. ^ Scott, Sheena (14 January 2021). "'Lupin' Is Netflix's Most Popular French Series". Forbes. Archived from the original on 30 January 2021. Retrieved 19 January 2021.
Archived from the original on February 7, 2005. Retrieved October 15, 2021. ^ マングローブ - サムライチャンプルー. Manglobe (in Japanese). November 5, 2003. Archived from the original on December 2, 2003. Retrieved October 15, 2021. ^ 第1回 2004年5月19日(水)放送 あらすじ (in Japanese). Fuji Television. Archived from the original on January 22, 2021. Retrieved January 22, 2021.