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By the end of the arc, I was literally watching it 1. 5x speed for a few minutes at the beginning of the episode, skipping to the 15 minute mark to see that the villain had turned the tables, and then skipped to the end to see the bronze knight come out on top. Over and over again. Over and over again. Over and over again. No setups. No payoffs. Only punching and yelling. And not even good punching and yelling. A new director had come on at the beginning of this arc and the difference in their ability to keep the wrestling-style storyline interesting absolutely shows.
And then there is just the tiniest bit of fresh air, which is the show gracefully rerailing itself onto the manga plot by introducing one of Poseidon's warriors.

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Retrieved October 20, 2016. ^ "Sailor Moon full version (1)" 美少女戦士セーラームーン 完全版(1). kodansha. co. jp (in Japanese). Kodansha Comics. Archived from the original on September 3, 2016. Retrieved October 20, 2016. ^ 美少女戦士セーラームーン 完全版(1). kc. kodansha. "[121] Beckett called the character designs and general linework "a bit generic at first glance," but that when "the carnage comes flooding in," the series "has a clarity of style and consistency of vision that can be wondrous to behold. "[120] McNeil said that the character designs, other than Pochita and Chainsaw Man, are "not memorable," but that the art "really shines for the creepy Devils, the action, and especially the gore. "[124] Regarding the devils' designs, Dacey wrote that some are "uninspired" and that the most memorable ones are "clearly designed to elicit an appreciative 'ewww'". [127] Wolf stated that the art of the series "feels better than its writing," adding that visually, the action and fighting make the manga appealing. [128] Themes[edit] Various reviewers have commented on the use of violence and gory scenes within the context of the story. Dupree wrote that the "irreverent tone and deliciously gory violence" are elements that make the series "really stand out from the get-go. "[121] Collins wrote that the gory scenes, instead of being gratuitous, make the story feel "refreshingly unfiltered. "[122] McNeil commented that the series is "wonderfully absurd. It's funny, gorey [sic], and violent, but also has an interesting bit of humanity at its core. "[124] Davinson called it "casually gruesome and violent," but that it fits with its theme. [126] Lee wrote: "Chainsaw Man is gory.
1Development 3. 2Music 4Themes and analysis 5Release Toggle Release subsection 5. 1Theatrical 5. 2Home media 6Reception Toggle Reception subsection 6. 1Public reactions 6. 2Accolades 7Derivative works Toggle Derivative works subsection 7. 1Planned follow-up 7. 22005 live-action version 7. 32008 live-action version 8See also 9References 10Further reading 11External links Toggle the table of contents Grave of the Fireflies 50 languages العربيةAzərbaycancaবাংলাBân-lâm-gúБеларускаяBikol CentralБългарскиCatalàČeštinaCymraegDeutschEspañolEsperantoEuskaraفارسیFrançaisGalego한국어HrvatskiBahasa IndonesiaItalianoעבריתქართულიКыргызчаLietuviųMagyarМакедонскиമലയാളംBahasa MelayuNederlands日本語Norsk bokmålOʻzbekcha / ўзбекчаPolskiPortuguêsRomânăРусскийSarduSimple EnglishکوردیСрпски / srpskiSrpskohrvatski / српскохрватскиSuomiSvenskaไทยTürkçeУкраїнськаTiếng Việt粵語中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version In other projects Wikimedia Commons From Wikipedia, the free encyclopedia 1988 Japanese animated film This article is about the 1988 film. For the semi-autobiographical short story of the same name, see Grave of the Fireflies (short story). For the 2005 film, see Grave of the Fireflies (2005 film).