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TV Tokyo (in Japanese). Archived from the original on April 19, 2016. Retrieved July 7, 2016. ^ 第5話 『約束した朝は遠く』 [Episode 5: "The Morning of Our Promise is Still Distant"]. Re-zero-anime. jp (in Japanese). Archived from the original on October 29, 2016. Retrieved August 25, 2016. ^ "第2クール オープニングテーマ MYTH & ROID 「Paradisus-Paradoxum」" [Second cour opening theme: MYTH & ROID "Paradisus-Paradoxum"]. Re-zero-anime. jp (in Japanese).

Chaque seconde écoulée, chaque jour qui passe, ne sont que l’assurance d’un retour encore plus triomphant pour nos héros de l’ombre et de la lumière. La saison 3 en cours : Un prélude à la suite En attendant, la saison 3 déroule son tapis narratif sous nos yeux ébahis, avec des épisodes qui distillent une tension dramatique toujours plus haletante. Le très attendu épisode 11 de la saison 3 s’invitera sur les écrans via Disney+ le mardi 12 décembre 2023, à 20h précises pour les âmes nocturnes de France. Démarrée le 3 octobre 2023, cette saison perpétue l’héritage de la deuxième saison, qui avait pris son envol dès le 7 janvier 2023, témoignant avec éloquence du succès retentissant de Tokyo Revengers. La narration actuelle, tissée d’intrigues et de revirements, n’est rien de moins qu’une toile de fond majestueuse pour les chapitres à venir. Elle prépare le terrain pour des révélations et des confrontations qui ne manqueront pas de marquer les esprits, laissant présager une saison 4 d’une intensité inégalée.

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The problems are further magnified by the pacing of the work, which is rather lackluster as well. The introductionary episodes are satisfying, yet as the show progresses, it quickly becomes apparent that important segments that contribute to the overall plot are either too rushed or information is omitted, whereas the more "mundane" moments are too much focused upon. In fact, the majority of the show is centered around Hinazuki and her problems - but to this later. This actually brings into play the positive aspect of the anime, the interludes between the different occurrences, which are generally well executed portraying insight into the characters and their emotional state: however, this doesn't affect the important points of the story. There are just so many improbable events in the story that it just looses any credibility it has, going from nonsensical behaviour of the characters, or just the sheer amount of centering on the violence exerted by a second party - victimizing for the sake of it is not good writing.
~Characters~
The major issue that brought the whole series down were its cast of characters: they didn't act according to their age, their motives/goals were either very lackluster or were just a mess, and ultimately the abrupt changes in behaviour to accommodate the direction in story. There is the 29-year-old Satoru, a typical otaku protagonist being mostly indifferent to society, and has the power to prevent deaths by sneakpeaking into the future. The main problem with this character is his incomprehensible and irrational behaviour he displays throughout the series, such as fleeing from a crime scene he didn't commit or even attempt on murder. In addition, his main goal of seeking the killer just shifts from finding the murderer to protecting his classmate - which in turn brings up the pedophilic tendencies the protagonist displays towards the minor. The anime develops a light romance, which includes Satoru constantly thinking of either being together with said person, or even imagining things when in the bathroom. This came out of nowhere, and just felt very off-putting for obvious reasons.
Mais ils sont poursuivis par Zuko, fils du seigneur du feu actuel, Ozaï. Epaulé par son oncle Iroh, ce dernier rêve de capturer l'Avatar pour regagner les faveurs de son père. Fiche technique[modifier | modifier le code] Cette section est vide, insuffisamment détaillée ou incomplète. Votre aide est la bienvenue ! Comment faire ? Titre original : Avatar: The Last Airbender Création : Albert Kim Réalisation : Michael Goi (2 épisodes), Jabbar Raisani (2 épisodes), Roseanne Liang (2 épisodes), Jet Wilkinson (2 épisodes) Scénario : Albert Kim (3 épisodes), Michael Dante DiMartino, Bryan Konietzko (2 épisodes), Joshua Hale Fialkov, Christine Boylan, Keely MacDonald, Gabriel Llanas, Hunter Ries, Audrey Wong Kennedy Décors : Michael Wylie, Lin MacDonald Costumes : Farnaz Khaki-Sadigh Photographie : Mike Goi, Stewart Whelan, Michael Balfry Montage : Joe Talbot Hall, David Lebowitz, Ian S. Tan, Wendy Tzeng, Chris Visser Musique : Takeshi Furukawa Production : Bonnie Benwick Sociétés de production : Albert Kim Pictures, Rideback, Nickelodeon Productions Sociétés de distribution : Netflix Pays d'origine : États-Unis Langue originale : anglais Format : couleur - 2,20:1 - son stéréo Genre : Action, Aventure, Fantasy, Comédie dramatique Nombre d'épisodes : 8 épisodes (1 saison) Durée : environ 40-60 minutes Dates de première diffusion : 22 février 2024 Distribution[modifier | modifier le code] Acteurs principaux[modifier | modifier le code] Gordon Cormier (VF : Sacha Tomassian) : Aang Kiawentiio Tarbell (VF : Jaynélia Coadou) : Katara Ian Ousley (VF : Alexandre Nguyen) : Sokka Dallas Liu (VF : Jean-Baptiste Maunier) : le prince Zuko Paul Sun-Hyung Lee (VF : Jean Barney) : le général Iroh, frère d'Ozaï et oncle de Zuko et d'Azula. Ken Leung (VF : Damien Ferrette) : l'amiral Zhao, ancien commandant de marine du secteur de Kyoshi. Daniel Dae Kim (VF : Cédric Dumond) : le seigneur du Feu Ozaï, souverain de la Nation du Feu. Acteurs récurrents[modifier | modifier le code] Lim Kay Siu (en) (VF : Philippe Ariotti) : Gyatso, moine du temple de l'air austral. Casey Camp-Horinek (VF : Annie Le Youdec) : Kanna dite Mabouba, la grand-mère de Sokka et Katara et mère de Hakoda. Matthew Yang King (en) : Appa, le bison d'Aang. (bruitages) Ruy Iskandar (VF : Franck Lorrain) : le lieutenant Jee Ryan Mah : le lieutenant Dang Utkarsh Ambudkar (VF : Michel Prud'homme) : le roi Bumi, souverain de la cité d'Omashu.