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Also Galaxia comes and the whole plot of Sailor Moon becomes clear. Why everything happened in the first place. It's just BRILLIANT. I'm not saying anymore because it would be spoiling it but the battles between everyone and Galaxia are so intense. And I love the idea that 'everyone shines' but you won't get that unless you've seen it.
So if you are interest. buy the Japanese version and watch all episodes! They may be a bit babyish at first but just wait and you'll be hooked without even realising it! I rate it 10/10 for ideas, plot, comedy, picture, tension, voices.

[7][8] Despite an initial miscommunication which led to Ikemoto believing that Tanaka wasn't interested, talks of adapting the series began soon after the web novels began the transition to print. [8] As part of talks for the potential anime adaptation, Ikemoto and Tanaka spoke to Tsunaki Yoshikawa, an animation producer at studio White Fox, about the possibility of his studio animating the series. [8] Hoping to adapt the series into an anime similar to Steins;Gate (which White Fox also produced), and having a positive impression of the studio as one that did faithful adaptations, Tanaka then formally approached them about producing the show. White Fox's president contacted Yoshikawa for his opinion, and Yoshikawa recommended they accept, as long as the series "doesn't violate any broadcasting regulations. "[7] Production on the anime began sometime after the release of the fifth novel in October 2014. [9][11] Masaharu Watanabe was chosen by Yoshikawa to direct the series because he had previously worked for the studio doing key animation, while Kyūta Sakai was chosen to be the series' character designer and chief animation director because Yoshikawa felt that she would be able to do the novel's art justice whilst maintaining a consistent animation quality throughout the series' 25-episode run.

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As they pilot the drone outside the school, they find much of the city in ruins, much to the group's dismay. Jun-seong, Mi-jin, Min-jae, and Ha-ri make their way to the school clinic, only to also discover that all internet connections have been cut. Jae-ik and Ho-chul take refuge in Cheong-san's family restaurant and rescue Hee-su's baby. So-ju and his group safely arrive at an encampment, but the military forbids him from leaving to rescue On-jo. Meanwhile, Gwi-nam, having survived the bites and strangely retained his consciousness, vows revenge on Cheong-san. 6"Episode 6"January 28, 2022 (2022-01-28) The students broadcast music throughout the school to distract the zombies while they meet up with Cheong-san. Gwi-nam pursues them, revealing superhuman strength as he attacks Su-hyeok and bites Nam-ra, and is eventually pushed out of a window. The students retreat inside the music room. Cheong-san, who saw Gwi-nam get bit during their fight, argues that Nam-ra is infected, but she remains human and does not turn. On-jo suggests that she, Gwi-nam, and Eun-ji developed a form of immunity to the virus. Unbeknownst to them, Na-yeon is hiding inside a nearby locked storage room stocked with food. 1Réception et critiques 4Intrigue Afficher / masquer la sous-section Intrigue 4. 1Création 4. 2Prémices 4. 3Résumé de l'intrigue 5Personnages Afficher / masquer la sous-section Personnages 5. 1Personnages principaux 6Créatures 7Influences Afficher / masquer la sous-section Influences 7. 1Références culturelles 7.

“We’re all a little weird. And life is a little weird. And when we find someone whose weirdness is compatible with ours, we join up with them and fall into mutually satisfying weirdness — and call it love — true love. ” – Robert Fulghum
I find it quite the fascination of not just the OST that Horimiya has, but more of less its visuals and the intended picture of how people are supposed to perceive both the small and big moments, and this is something that I have to give the animators credit for. Starting off with the OP, it's interesting that there's 2 variations of Miyamura's theme: the 1st half where Miyamura is just like his old self, from reaching for the cube alone to most characters feeling dejected and frustrated, to the 2nd half where Hori's hand reached out for Miyamura with the cube, to the director's credit roll of him slicing the monochrome feel to showcase the colours of life with happiness overflowing. Capping off with the ED, it's using the twixt of a mix of animation in a dress-up model style between the central couple. Even with scenes that are depicted in the style of the OP of the potential couple-like feels, it's these Easter Eggs that not everyone will notice, but I thought it's worth mentioning. As for both OP and ED, it sounds great, no faults there.
If I can sum Horimiya up in a quote, it'd be this one by the famous Jamaican singer-songwriter Bob Marley:
“You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end.