hanime.tv logo generator shaman king flower chapter 1
doi:10. 1037/h0081881. Retrieved 2021-01-05. ^ a b Lev-On, Azi; Waismel-Manor, Israel (2016-12-01). "Looks That Matter: The Effect of Physical Attractiveness in Low- and High-Information Elections". American Behavioral Scientist. 60 (14): 1756–1771. doi:10. 1177/0002764216676249. ISSN 0002-7642. S2CID 151694489.[5] Fujimoto said that he took inspiration from various works. During the serialization of Chainsaw Man, Fujimoto said that he was too busy, but he watched as many new things as he could and borrowed various elements from what he saw. [5] On Twitter, he stated that he was a fan of the 2016 film trilogy Kizumonogatari, and that the trilogy's final battle, shown in Part 3: Reiketsu, inspired the final battle of the first part of Chainsaw Man. [6] He also described the series as a "wicked FLCL" and a "pop Abara. "[7] Fujimoto had various elements from the series planned from the beginning, while other things were added as it progressed. He did not have specific plans to bring payoff to the meaningful-sounding words and things that felt "off", adding that he left various things vague to make the series' second part easier to do. [5] Regarding the anime adaptation of the series, Fujimoto stated that he talked to the people handling it and he was comfortable leaving things to them. [5] When the anime series was officially announced, Fujimoto commented: "Chainsaw Man is like a copycat of Dorohedoro and Jujutsu Kaisen, and the studio of Dorohedoro and Jujutsu Kaisen will produce its anime!? I have nothing to say! Please do it!"[8] According to the manga's editor, Shihei Lin, Fujimoto is heavily involved in the production of the anime series, stating: "Fujimoto-san has seen all the Chainsaw Man's pitch documents, story structure, scripts, and even the storyboards. He has continued to be in close contact with MAPPA's anime team. " MAPPA producer, Makoto Kimura, also commented that Fujimoto involvement extended to the casting, planning, and music, because the staff wanted the anime to capture as much of the manga's original vision as possible, including the violence and gore. MAPPA approached Shueisha with the pitch for the project.
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