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When the match between Ippo and Okita began, both boxers had an in-fight where neither of them got a clean hit in until Ippo made Okita step back after hitting his guard. Okita used the Corkscrew Blow on Ippo's guard, causing Ippo's guard to break as his hand flung up in the air. Okita then began to use feints, tricking Ippo to guard his head, allowing Okita to get a body blow in. After being advised by Kamogawa to not go defensive and to not forget his boxing, Ippo decided to block Okita's jabs and bury into his space. However, Ippo was unable to do it due to Okita's feints, getting hit in the confusion. Okita soon got Ippo into a corner and broke his guard, leaving Ippo open for a Corkscrew Blow.

There is no world building, and there is no consistency, as monster factions keep appearing out of nowhere. How the hell was humanity fending them off before the hero association was formed? You get no answer because there is no answer. The author didn’t bother to think of one. How about the concept of heroism, which just like in My Hero Academia, that other super original show which does things like none other, is all about popularity instead of good deeds? How is that thought-provoking when it’s also used for nothing more than cheap laughs? There is no in-series exploration on the topic of heroism, so where the hell is the deconstruction, besides in the minds of the pretentious overthinkers? What I am trying to say all this time is that there is absolutely nothing special about this show. Everybody who watched it after the hype died, was completely disappointed with how unfunny and boring it was compared to what they expected from a show that was once in the top 10 of all major databases. One Punch Man is just another example of a bland show that got overrated by sakuga tards, before all of a sudden being considered awful because the second season will no longer have pretty colors. Just like a soap bubble, it came out, it flew high for a season, and then popped. Everybody afterwards jumped ship to the next craze that was the godawful Erased, and then to My Hero Academia, which is the exact same thing. It was the product of manchildren needing to circlejerk around something while it airs before completely abandoning it to go jerk around somewhere else. It is nowhere near as good as they made it up to be and I don’t even consider it above average. 31 Datamari Mar 7, 2016 10 Fall 2015 wasn't a fantastic season for anime, but this particular one shined out above them all.

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"The Magician and the Blue Rose (Part 2)" (魔法使(まほうつか)いと青(あお)い着薇(バラ)(後編(こうへん)), Mahōtsukai to Aoi Bara (Kōhen)) 244. "PXG" (P(パリ)・X(エクス)・G(ジュン), Pari Ekusu Jen) 245. "Die At Once" (いっべん死(し)んでこい, Ibben Shinde Koi) 246. "Irregularity & Abnormality" (変則(へんそく)·変態(へんたい), Hensoku Hentai) 247. "Originality" (自己独創性(オリジナリティ), Orijinariti) 248. "Final Fight" (ファイナル·ファイト, Fainaru Faito) 249. "The Beginning" 250. "The Unknown" (未(み)知(ち)との攻防(こうほう), Michi to no Kōbō) 251. "VIP Seat" (特(とく)等(とう)席(せき), Tokutō Seki) 252. "Best Performance" (最高表現(ベストパフォーマンス), Besuto Pafōmansu) 253. "Hellhole" (魔(ま)境(きょう), Makyō) 254. Slump by Akira Toriyama (1981) Miyuki and Touch by Mitsuru Adachi (1982) Musashi no Ken by Motoka Murakami (1983) Futari Daka and Area 88 by Kaoru Shintani (1984) Hatsukoi Scandal and Tobe! Jinrui II by Akira Oze (1985) Silver Fang by Yoshihiro Takahashi (1986) Just Meet and Fuyu Monogatari by Hidenori Hara (1987) B. 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