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making it even less believable than it already is". [146] However, overall, he considered the story has good art, action and pace, featuring "pure sports storytelling at its finest". [146] The anime adaptation of Eyeshield 21 received positive and mixed responses. Bobby Cooper from DVD Talk praised how the rules of American football are "explained to a foreign audience that has no clue what it's all about", adding that instructions at the commercial breaks "were informative and similar to the Go lessons of Hikaru No Go. " He also said the explanations were "hilarious", but that "Eyeshield 21 is an excellent introduction to football". [147] The on-field action was also praised, with he saying the sports action is "where Eyeshield 21 truly shines", although he criticized the scenes away from the football field, "the pacing slows to a crawl and the storyline gets a little boring". [148] In her review, Erin Finnegan from Anime News Network stated, "[t]he pace of Eyeshield 21 is its saving grace. It's way less boring than all the time outs and commercial breaks in a regular NFL game. Football is hard to understand, but Eyeshield 21 explains the Byzantine rules .

Shortly after these events, a pink-haired girl named Chibiusa falls from the sky, revealing that she traveled from the future in order to find the Silver Crystal and use it to save her parents. She is followed by the Black Moon Clan, a new enemy force that is trying to kill her. Eventually, the Sailor Soldiers and Tuxedo Mask travel with Chibiusa to the future where Usagi rules Crystal Tokyo as Neo-Queen Serenity. They learn that Chibiusa is actually Usagi and Mamoru's future daughter, and they also meet Sailor Pluto who guards the Door of Space-Time. Eventually, the Sailor Soldiers battle against Wiseman, a dark force that was manipulating the Black Moon Clan with the goal of destroying Earth. Chibiusa is able to summon the Silver Crystal of the future and aids in the destruction of Wiseman.

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tomo chan is a girl vostfree

Sa bibliothèque énorme vous permet de trouver facilement votre anime préféré. 9anime utilise des serveurs de streaming comme VidStream et StreamTape, et la qualité des vidéos est très satisfaisante. On apprécie le thème global en noir et la bonne organisation des saisons et des épisodes. 9anime est un site de streaming d’animes gratuits qui mérite d’être ajouté à vos favoris. 3-Kissanime Kissanimes. net (ou Kissanime. nz ) on ne peut pas lister les sites d’animes dans le monde sans citer Kissanime. Les vrai fans d’animes sans aucun doute le connaissent déjà. Kissanime est un site gratuit qui dispose d’une collection énorme d’animes. Vous pouvez trouvez des animes entier en version originale ou avec des sous-titres en Anglais. Malheureusement Kissanime n’offre pas de contenu en Français et c’est pour cette raison qu’il n’est pas assez populaire dans les pays francophone. , Luffy Main Tanaka, Mayumi
Japanese Roronoa, Zoro Main Nakai, Kazuya
Japanese Sanji Main Hirata, Hiroaki
Japanese Nico, Robin Main Yamaguchi, Yuriko
Japanese Tony Tony, Chopper Main Ootani, Ikue
Japanese Nami Main Okamura, Akemi
Japanese Usopp Main Yamaguchi, Kappei
Japanese Brook Main Cho
Japanese Franky Main Yao, Kazuki
Japanese Jinbe Main Gouri, Daisuke
Japanese
More staff Staff Cook, Justin Producer Herek, Samantha Assistant Producer Uda, Kounosuke Director, Episode Director, Storyboard Nagamine, Tatsuya Director, Episode Director, Storyboard
Edit Opening Theme Preview Spotify Apple Music Amazon Music Youtube Music 1: "We Are! (ウィーアー!)" by Hiroshi Kitadani (きただにひろし) (eps 1-47,1000) 2: "Believe" by Folder5 (eps 48-115) 3: "Hikari e (ヒカリヘ)" by The Babystars (ザ・ベイビースターズ) (eps 116-168) 4: "BON VOYAGE!" by Bon-Bon Blanco (eps 169-206) 5: "Kokoro no Chizu (ココロのちず)" by BOYSTYLE (eps 207-263) 6: "BRAND NEW WORLD" by D-51 (eps 264-278) 7: "We Are! (ウィーアー! 〜7人の麦わら海賊団篇〜)" by the 7-nin no Mugiwara Kaizokudan (7人の麦わら海賊団) (eps 279-283) 8: "Crazy Rainbow" by Tackey & Tsubasa (タッキー&翼) (eps 284-325) 9: "Jungle P" by 5050 (eps 326-372) 10: "We Are (ウィーアー! 〜10周年Ver. 〜)" by TVXQ (eps 373-394) 11: "Share The World" by TVXQ (eps 395-425) 12: "Kaze wo Sagashite (風をさがして)" by Mari Yaguchi to Straw Hat (矢口真里とストローハット) (eps 426-458) 13: "One day" by The ROOTLESS (eps 459-491) 14: "Fight Together" by Namie Amuro (安室奈美恵) (eps 493-516) 15: "We Go! (ウィーゴー!)" by Hiroshi Kitadani (きただにひろし) (eps 517-541,543-589) 16: "HANDS UP!" by Kouta Shinzato (新里宏太) (eps 591-628) 17: "Wake up!" by AAA (eps 629-686) 18: "Hard Knock Days" by GENERATIONS from EXILE TRIBE (eps 687-746) 19: "We Can! (ウィーキャン!)" by Kishidan to Hiroshi Kitadani (氣志團ときただにひろし) (eps 747-806) 20: "Hope" by Namie Amuro (安室奈美恵) (eps 807-855) 21: "Super Powers" by V6 (eps 856-891) 22: "OVER THE TOP" by Hiroshi Kitadani (きただにひろし) (eps 892-934) 23: "DREAMIN' ON" by Da-iCE (eps 935-999,1001-1004) 24: "PAINT" by I Don't Like Mondays. (eps 1005-1027,1031-1073) 25: "Shinjidai (新時代)" by Ado (eps 1028-1030) 26: "Saikou Toutatsuten (最高到達点)" by SEKAI NO OWARI (eps 1074-1088) 27: "Uuuuus! (あーーっす!)" by Hiroshi Kitadani (きただにひろし) (eps 1089-) Edit Ending Theme 1: "memories" by Maki Otsuki (大槻真希) (eps 1-30,808,968) 2: "RUN! RUN! RUN!" by Maki Otsuki (大槻真希) (eps 31-63) 3: "Watashi ga iru Yo (私がいるよ)" by TOMATO CUBE (eps 64-73) 4: "Shouchi no Suke (しょうちのすけ)" by Suitei Shoujo (推定少女) (eps 74-81) 5: "BEFORE DAWN" by AI-SACHI (eps 82-94) 6: "fish" by The Kaleidoscope (eps 95-106) 7: "GLORY -Kimi ga Iru kara- (GLORY-君がいるから-)" by Takako Uehara (上原多香子) (eps 107-118) 8: "Shining ray" by Janne Da Arc (eps 119-127,129-132) 9: "Family" by Mugiwara Kaizokudan (麦わら海賊団) (eps 128) 10: "Free Will" by Ruppina (eps 133-156) 11: "FAITH" by Ruppina (eps 157-168) 12: "A to Z ~One Piece Edition~ (A to Z〜ONE PIECE Edition〜)" by ZZ (eps 169-181) 13: "Tsuki to Taiyou (月と太陽)" by shela (eps 182-195) 14: "DREAMSHIP" by Aiko Ikuta (イクタ☆アイコ) (eps 196-206) 15: "Mirai Koukai (未来航海)" by Tackey & Tsubasa (タッキー&翼) (eps 207-230) 16: "Eternal Pose (エターナルポーズ)" by Asia Engineer (エイジアエンジニア) (eps 231-245) 17: "Dear friends" by TRIPLANE (eps 246-255) 18: "Asu wa Kuru kara (明日は来るから)" by TVXQ (eps 256-263) 19: "ADVENTURE WORLD" by Delicatessen (デリカテッセン) (eps 264-278) 20: "One Day" by The ROOTLESS (eps 492) 21: "We go! (ウィーゴー!)" by Hiroshi Kitadani (きただにひろし) (eps 542,590) 22: "Raise" by Chilli Beans. (eps 1071-1088) 23: "Dear sunrise" by Maki Otsuki (大槻マキ) (eps 1089-) More theme songs
Reviews Write review 641 Recommended 95 Mixed Feelings 84 Not Recommended All reviews (820) Feb 20, 2024 CristiaNNo Recommended Preliminary (1094/? eps)
One Piece is by far the best shounen anime I've watched. The characters and story are amazing and the manga is probably one of my favorites but wow.
STORY
The story started with an epic entrance. I've never seen a character enter the scene like that. At first he made people think that Coby was the main character because he was so focused on him, but once Coby discovered a barrel, Luffy suddenly came out of it while shouting “that was a nice nap! ,” I was blown away because it was hilarious, but a brilliant way for a character to make an appearance. At first, I .
Pour le nouveau décor, Hara s'est inspiré du film post-apocalyptique Mad Max 2 (sorti en 1981), du film cyberpunk Blade Runner (sorti en 1982), du manga japonais post-apocalyptique cyberpunk Akira (1982) de Katsuhiro Ōtomo, et des illustrations des artistes Syd Mead et Frank Frazetta[8]. Buronson a cité Bruce Lee et Mad Max comme ses deux plus grandes inspirations pour Hokuto no Ken. Il a déclaré que Kenshiro et les arts martiaux étaient inspirés par Bruce Lee et ses films de kung-fu et d'action des années 1970 à Hong Kong, tandis que le cadre post-apocalyptique était inspiré par la série de films Mad Max (début 1979)[7]. Hokuto no Ken a également été influencé par la série de mangas Violence Jack de Go Nagai (début en 1973), qui présente également un cadre post-apocalyptique dans un désert avec des gangs de motards, une violence anarchique, des bâtiments en ruine, des civils innocents, des chefs de tribus et des petits villages abandonnés ; il a été avancé que Mad Max a également été influencé par Violence Jack[9],[10],[11]. À l'origine, Hara et Buronson avaient été engagés pour réaliser Hokuto no Ken pour une durée de trois ans, mais en raison de sa popularité et de la demande de l'éditeur, la durée a été portée à cinq ans[6]. Supports[modifier | modifier le code] Manga[modifier | modifier le code] Collection de mangas Hokuto no Ken. Au Japon, la série est prépubliée dans le magazine Weekly Shōnen Jump de l'éditeur Shūeisha entre 1983 et 1988 et compte au total 245 chapitres qui, par la suite, ont été compilés sous forme de tankōbon. Au total, 27 volumes sont sortis. En France, les 27 volumes de la série ont été repris par les éditions J'ai lu et publiés entre août 1999 et novembre 2001. Pour fêter les vingt-cinq ans de la série, une nouvelle version française a vu le jour avec les éditions Asuka et Kazé depuis mai 2008[12]. Elle comprend 26 volumes au lieu de 27.