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^ DEATH NOTE短編集 (in Japanese). Shueisha. Archived from the original on February 4, 2021. Retrieved February 4, 2021. ^ Mays, Jonathan (May 9, 2006). "Death Note, XXXHOLiC Novels in the Works".

[60] In 1997, Hideaki Anno and Gainax released two animated feature films, providing another ending for the show, named Death & Rebirth and The End of Evangelion. [61] Themes[edit] Main article: Themes of Neon Genesis Evangelion The cross-shaped explosion caused by the destruction of the third Angel exemplifies the use of Christian imagery in Evangelion. References to mystical traditions in Judaism and Christianity, including Midrashic literature and Kabbalah, are threaded liberally through the series. [62] Complicating viewers' attempts to form an unambiguous interpretation,[63] the series reworks Midrash stories, Zohar images and other Kabbalistic ideas developed from the Book of Genesis[64] to create a new Evangelion-specific mythology. [63] The plot also combines elements of esotericism and mysticism of the Jewish Kabbalah,[65][66] including the Angels, which have common and individual features with the Angels of the religious tradition,[67] such as Sachiel, Sandalphon and Ramiel. [68][69] Assistant director Kazuya Tsurumaki stated the religious visual references were intended to make the series more "interesting" and "exotic" for a Japanese audience,[70] denying the existence of a religious meaning for the use of Christian visual symbols in the show. [71] According to Anno, "as the symbols are mixed together, for the first time something like an interrelationship or a meaning emerges". [72] According to Patrick Drazen, numerous allusions to the Kojiki and the Nihongi have a prominent role in Evangelion, along with the Shinto vision of the primordial cosmos and the mythical lances of the Shinto deities Izanagi and Izanami. [73] Elements of the Judeo-Christian tradition also feature prominently throughout the series, including references to Adam, Lilith, Eve, the Lance of Longinus,[74] the Dead Sea Scrolls,[75] the Kabbalistic concept of Adam Kadmon, and the Tree of Life. [73] The merging of all human souls into one through the Human Instrumentality Project at the end of the series has been compared to the Kabbalistic concept of tikkun olam. [76] The Evangelions have been likened to the golem of Jewish folklore,[46] and their visual design resembles the traditional depictions of oni, Japanese demons or ogres.

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[6] The second opening theme song is "Danger Danger" by FZMZ featuring Icy, while the second ending theme song is "Gajumaru: Heaven in the Rain" (ガジュマル ~Heaven in the Rain~) by Reona. [74] Crunchyroll has licensed the series for streaming outside of Asia. [75] Muse Communication licensed the series in Southeast Asia. [76] Episodes[edit] No. Title [77][78]Directed by [b]Written by [b]Storyboarded by [b]Original air date [79]1"What Do You Play Games For?"
Transliteration: "Anata wa Nan no Tame ni Gēmu o Shimasu ka?" (Japanese: 貴方はなんのためにゲームをしますか?)TripleAKazuyuki FudeyasuHiroki IkeshitaOctober 1, 2023 (2023-10-01) In the near future, screen based gaming is replaced with full dive VR games. The market is soon flooded with low quality games filled with glitches known as “trash games”. A percentage of players are obsessed with completing trash games despite the glitches. One “trash game hunter” is Rakuro, who goes by his screen name Sunraku. His classmate Rei has a crush on him, but is too nervous to talk to him. After spending weeks completing his latest game, Rakuro suffers mental burnout and is convinced by local shop owner Mana to play a mainstream game instead, completely free of glitches with 30 million players, Shangri-La Frontier. Sticking with his preferred play style Rakuro creates a Wanderer character with twin blades, extra luck bonuses and minimum armor except for swimming shorts and a bird head mask. Prémices[modifier | modifier le code] Avatar, le dernier maître de l'air se déroule dans un monde imaginaire, habité par des humains, des animaux fantastiques et des esprits surnaturels. La civilisation humaine est composée de quatre peuples : la tribu de l'eau, le royaume de la terre, la nation du feu et les nomades de l'air. Au sein de chaque peuple, un ordre de femmes et d'hommes appelés « maîtres » ont la capacité de manipuler leur élément d'origine. Leurs disciplines allient les arts martiaux et le mysticisme lié aux forces naturelles. Elles portent les noms de : la maîtrise de l'eau, la maîtrise de la terre, la maîtrise du feu et la maîtrise de l'air[22]. En un cycle continu, une personne est capable de contrôler les quatre éléments. Elle est l'Avatar, l'esprit de la lumière incarnée sous la forme d'un être humain. Quand l'Avatar meurt, il se réincarne en un nouveau-né dans le peuple qui suit le sien, dans l'ordre des saisons : Hiver pour l'Eau, Printemps pour la Terre, Été pour le Feu et Automne pour l'Air[23]. Si la tradition veut que l'Avatar apprenne à maîtriser les éléments dans l'ordre, en commençant avec son élément d'origine, ceci peut être transigé quand la situation l'oblige. L'apprentissage du contrôle de l'élément opposé à l'élément d'origine est extrêmement difficile, car des maîtrises opposées sont basées sur des styles de combats et des doctrines opposées[24]. L'Avatar possède un pouvoir intrinsèque unique, l'état d'Avatar.